Voir les résultats lus par "Lucy Briggs-Owen"

The Decameron is one of the greatest literary works of the Middle Ages. Ten young people have fled the terrible effects of the Black Death in Florence and, in an idyllic setting, tell a series of brilliant stories, by turns humorous, bawdy, tragic and provocative. This celebration of physical and sexual vitality is Boccaccio's answer to the sublime other-worldliness of Dante's Divine Comedy.

Steed and Dr Keel return to action in these four recreations of classic lost episodes. Includes 'Nightmare' by Dan Starkey, from a storyline by Terence Feely; 'Girl on the Trapeze' by Dennis Spooner, adapted by Rae Leaver; 'Crescent Moon' by Phil Mulryne, from a storyline by Geoffrey Bellman and John Whitney; and 'Diamond Cut Diamond' by John Dorney, from a storyline by Max Marquis. Directed by Ken Bentley.

Steed and Dr Keel return to action in these four re-creations of classic lost episodes.

Steed and Dr Keel return to action in these four re-creations of classic lost episodes.

Steed and Dr Keel return to action in these four recreations of classic lost episodes. 1: "Ashes of Roses". Carol goes undercover at a hairdressing salon, which appears to be at the centre of an arson ring. 2: "Please Don’t Feed the Animals". Steed takes on blackmailers who are extorting secrets from government officials. 3: "The Radioactive Man". Someone is at large in London, unwittingly carrying a radioactive isotope. 4: "Dance with Death". Dr Keel is framed for murder.

Steed and Dr. Keel return to action in these four re-creations of classic lost episodes. 'Hot Snow'. Written by Ray Rigby, adapted by John Dorney. When an incomprehensible tragedy strikes on what should have been the happiest day of David Keel's life, he is left traumatised. Confronted with an apparently motiveless crime, he feels compelled to investigate and is drawn into London's seedy underworld of drug smuggling.

Until recently, Julia hadn’t had sex in three years. But now: a one-night stand is accusing her of breaking his penis; a sexually confident lesbian is making eyes at her over confrontational modern art; and she’s wondering whether trimming her pubes makes her a bad feminist. Julia’s about to learn that she’s been looking for love - and satisfaction - in all the wrong places.... Frank, filthy and very, very funny, In at the Deep End is a brilliant debut from a major new talent. #ImInAtTheDeepEnd