Résultats lu par "Carolina Hoyos" dans Toutes les catégories

In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong.

A magisterial history of Indigenous North America that places the power of Native nations at its center, telling their story from the rise of ancient cities more than a thousand years ago to fights for sovereignty that continue today. Long before the colonization of North America, Indigenous Americans built diverse civilizations and adapted to a changing world in ways that reverberated globally. And, as award-winning historian Kathleen DuVal vividly recounts, when Europeans did arrive, no civilization came to a halt because of a few wandering explorers, even when the strangers came well armed.

In Valley of Forgetting, Jennie Erin Smith brings listeners into the clinic, the laboratories, and the Medellín trial center where Lopera’s patients receive an experimental drug to see if Alzheimer’s can be averted. She chronicles the lives of people who care for sick parents, spouses, and siblings, all while struggling to keep their own dreams afloat.

In 1872, sixteen-year-old Goes First, a Crow Native woman, marries Abe Farwell, a white fur trader. He gives her the name Mary, and they set off on the long trip to his trading post in the Cypress Hills of Saskatchewan, Canada. Along the way, she finds a fast friend in a Métis named Jeannie; makes a lifelong enemy in a wolfer named Stiller; and despite learning a dark secret of Farwell’s past, falls in love with her husband.

Luca Laine Thomas lives on a cursed island. To the outside world, Parris is an exclusive, idyllic escape accessible only to the one percent. There’s nothing idyllic about its history, though, scattered with the unsolved deaths of young women—deaths Parris society happily ignores to maintain its polished veneer. But Luca can’t ignore them. Not when the curse that took them killed her best friend, Polly, three years ago. Not when she feels the curse lingering nearby, ready to take her next. When Luca comes home to police cars outside her house, she knows the curse has visited once again.

Laura Aalders is many things. A woman who works for an advertising agency, a loving and supportive wife, a decent cook, and an upstanding citizen. However, when her creepy boss oversteps boundaries, what occurs next blurs the line between demonic possession and a loss of sanity. Regardless of what it is, her sense of autonomy is in peril as she loses control of her work, love, and life. Her reflection begins to talk to her; she blacks out and, remembers nothing, develops cravings for alcohol and human flesh. She'll lash out, thrash, and cry as she desperately tries to gain back control.

For the past five decades Ms. has been the nation’s most influential source of feminist ideas, and it remains at the forefront of feminism today, affecting thought and culture with a younger-than-ever readership (ages 16-20!). Here are essays, profiles, conversations with and features by: Alice Walker, Cynthia Enloe, Pauli Murray, Nancy Pelosi, bell hooks, Eleanor Holmes Norton, Brittney Cooper, and Joy Harjo, as well as fiction and poetry by Toni Morrison, Joyce Carol Oates, Adrienne Rich, Rita Dove, and Sharon Olds, and many others.

In stories that evoke the haunting beauty of New England beaches and resonate with a bittersweet loneliness, Romero blurs the lines between life and death, reality and fantasy. A deceased woman counsels her son’s fiancée on how to be a good wife to him, with disastrous consequences. A mysterious cat appears in a young woman’s home, as inexplicable as the demise of her years-long relationship with her boyfriend. At turns humorous, sorrowful, and whimsical, this collection spans the familiar setting of a college town supermarket to eerie dystopias that are not just post-pandemic, but post-art.

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

As an archeologist for the Bureau of Indian Affairs, Syd Walker spends her days in Rhode Island trying to protect the land's indigenous past, even as she’s escaping her own. While Syd is dedicated to her job, she’s haunted by a night of violence she barely escaped in her Oklahoma hometown 15 years ago. Though she swore she’d never go back, the past comes calling. When a skull is found near the crime scene of her youth, just as her sister, Emma Lou, vanishes, Syd knows she must return home.

When you think about the beginning of the American story, what comes to mind? Three ships in 1492, or perhaps buckled hats and shoes stepping off of the Mayflower, ready to start a new country. But the truth is, Christopher Columbus, the Pilgrims, and the Colonists didn't arrive to a vast, empty land ready to be developed. They arrived to find people and communities living in harmony with the land they had inhabited for thousands of years, and they quickly disrupted everything they saw.

Give Canada's Master Warrant Officer Jenny Casey an inch and she'll take a galaxy. That's just the kind of person a world on the brink of destruction needs. The year is 2063, and Earth has been brutalized. An asteroid flung at Toronto by the PanChinese government has killed tens of millions and left the equivalent of a nuclear explosion in its wake. Humanity must find another option . . .

Fairy tales have been spun for thousands of years and remain among our most treasured stories. Weaving fresh tales with unexpected reimaginings, At Midnight brings together a diverse group of celebrated YA writers to breathe new life into a storied tradition.

The year is 2062, and after years on the run, Jenny Casey is back in the Canadian armed forces. Those who were once her enemies are now her allies, and at fifty, she's been handpicked for the most important mission of her life—a mission for which her artificially reconstructed body is perfectly suited. With the earth capable of sustaining life for just another century, Jenny—as pilot of the starship Montreal—must discover brave new worlds. And with time running out, she must succeed where others have failed.

Once Jenny Casey was somebody's daughter. Once she was somebody's enemy. Now the former Canadian special forces warrior lives on the hellish streets of Hartford, Connecticut, in the year 2062. Racked with pain, hiding from the government she served, running with a crime lord so she can save a life or two, Jenny is a month shy of fifty, and her artificially reconstructed body has started to unravel. But she is far from forgotten. A government scientist needs the perfect subject for a high-stakes project and has Jenny in his sights.

A young Aztec girl tells her little brother how their parents create beautiful painted manuscripts, or codices. She explains to him how paper is made from local plants and how the long paper is folded into a book. Her parents and others paint the codices to tell the story of their people’s way of life. Inspired by the pre-Columbian codices, this story tells how the Aztec and their neighbors in the Valley of Mexico painted books and records long before Columbus arrived, and continued doing so among their Nahua-speaking descendants for generations after.

Growing up with a kind but alcoholic father and a suspicious, passive-aggressive mother, the Bernal sisters each developed their own way of coping: Dulcina had her art and drugs and alcohol, Claudia plunged into her studies and fled to Princeton, and Maritza watched one Disney movie after another in between devouring romance novels. Now all grown up, the sisters are reunited at last for Maritza’s dream wedding. With all three Bernal sisters back in their East L.A. home, each begins to take steps to come to terms with each other, their parents, and secrets from their shared past.

The tight-knit Izquierdo family is grappling with misfortunes none of them can explain. Their beloved patriarch has suffered from an emotional collapse and is dying; eldest son Gonzalo’s marriage is falling apart as he tries to care for his father; daughter Dina, beleaguered by fear that her nightmares are real, is a shut-in. When Gonzalo digs up a strange object in the backyard of the family home, the Izquierdos take it as proof that a jealous neighbor has cursed them―could this be the reason for all their troubles?

In a world with an uncertain future, do you imagine for the best or for the worst case scenario? Twelve writers tackle extreme solarpunk utopias and apocalyptic or political dystopias—and the gray areas in between—in Biketopia, the fourth volume of the Bikes in Space series of feminist science fiction stories about bicycling. Some find love and fierce resistance in the end times; others imagine an ecological future of saving technology, with solarpunk ecotopian visions, at times paired with crushing social control.

A collection of the year’s best short stories, selected by Pulitzer Prize winner Andrew Sean Greer and series editor Heidi Pitlor.