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In his debut essay collection, Nicholas Belardes uses today’s pop culture and self-deprecating humor as a filter for discussing personal stories of family, writing, gender, art, and race. He dives into the Harry Potter play and discusses his cursed childhood home. He tells coming-of-age tales of Dungeons & Dragons and blames Stranger Things for jogging those hilarious memories.

When a hidden evil emerges from the depths of the ocean, the tight-knit town of Baywood is caught in a climate disaster of mysterious origins: an unusual wave of sea snails enter the estuary and transform wildlife, seascapes, and finally, people. Once infected, residents start “deading”: collapsing and dying, only to resurrect, changed in ways both physical and fundamental. After the government isolates Baywood, paranoia and surveillance run rampant. A newly formed cult called the Risers starts targeting those who are not deading.

When Greta Molina’s old friend Tiller offered her the job, a ten-day cattle drive across the Wyoming prairie from the ranching town of Ten Sleep, it sounded like a well-paid break. Three hundred and twenty cows and calves, two guys her age she’s known since college, and a few long days on an ATV will give her time to sort out the mess in her head. The canyon along the trail has a history, sure, but nature has a tendency toward violence. Greta can accept that, even if it makes her insides squirm.