Résultats de "John Scalzi" dans Toutes les catégories

Zoé a quinze ans lorsqu'elle atterrit sur Roanoke avec ses parents adoptifs, ex-officiers des Forces de défense coloniale. Ce qui devait être une colonie pionnière se révèle rapidement un piège diabolique conçu pour anéantir le Conclave, une coalition extraterrestre s'opposant à l'expansion humaine à travers l'espace. Mais parmi les colons isolés et désarmés se trouve Zoé, témoin impuissant des événements, simple pion sur l'échiquier galactique... et déesse vivante pour toute une race d'extraterrestres depuis que son père biologique leur a fait don de la conscience.

Le temps a passé depuis l'époque où la Terre alimentait docilement les Forces de défense coloniale en main-d'œuvre. Bientôt, l'Union sera à court de soldats, laissant les colonies humaines vulnérables face aux peuples du Conclave, qui n'attendent que le premier signe de faiblesse pour détruire l'humanité à genoux. Mais dans les tréfonds de l'espace se profile également un groupe anonyme, dressant les humains les uns contre les autres et manipulant le conflit imminent contre le Conclave.

"...et ils se marièrent et eurent beaucoup d'enfants." Le dernier livre audio des aventures de John Perry commence là où beaucoup d'histoires se terminent : dans un pur bonheur familial. John est devenu l'ombudsman d'un petit village d'une lointaine colonie humaine. Sa femme Jane en est le shérif, elle apprend à être humaine et regarde les constellations d'étoiles. Zoé se contente, elle, de grandir. Mais le virus de l'aventure conduit la famille dans une entreprise plus risquée : la direction d'une nouvelle colonie.

Welcome to the new world, in which murder is all but a thing of the past. Because when someone kills you, 999 times out of 1,000, you instantly come back to life. In this world, there are dispatchers - licensed killers who step in when you’re at risk of a natural or unintentional death. They kill you - so you can live.

Zachary Quinto - best known for his role as the Nimoy-approved Spock in the recent Star Trek reboot and the menacing, power-stealing serial killer, Sylar, in Heroes - brings his well-earned sci-fi credentials and simmering intensity to this audio-exclusive novella from master storyteller John Scalzi. One day, not long from now, it becomes almost impossible to murder anyone - 999 times out of a thousand, anyone who is intentionally killed comes back. How? We don't know.

Tu t'appelles Jared. Ta mère est une cuve et ton esprit n'est pas le tien. Tu as parlé à soixante secondes, marché à deux minutes et pris la navette à une heure dix. Ton avenir ? Il ne t'appartient pas. À deux semaines, tu intégreras le corps d'élite des Forces de défense coloniale, les "Brigades fantômes". Au nom de l'humanité, toi qui n'es pas vraiment humain.

The sixteen stories and two screenplays that make up Volume One of the Emmy® Award–winning Netflix Original series Love, Death & Robots.

"J'ai fait deux choses le jour de mes soixante-quinze ans : je suis allé sur la tombe de ma femme. Puis je me suis engagé." À soixante-quinze ans, l'âge requis, John Perry n'est pas le seul à intégrer les Forces de défense coloniale, billet pour les étoiles, mais sans retour. Rien ne le retient plus sur Terre. Combien d'années peut-il espérer vivre ?

Sagans Tagebuch bietet einen tieferen Einblick in die Figur Lt. Jane Sagan...

John Perry a vendu la mèche : confinée sur sa planète, tenue à l'écart des progrès technologiques, l'humanité de la Terre n'est qu'un vivier où l'Union coloniale, l'humanité des étoiles, puise ses soldats et ses colons. Outrés par cette révélation, quitte à rompre avec leurs protecteurs en disgrâce, les peuples de la Terre ne seront-ils pas tentés de se rapprocher du Conclave, la puissante fédération d'extraterrestres qui a décrété l'arrêt de l'expansion coloniale interstellaire ?

For some it’s an opportunity. For others it’s a moment to question their faith: In God, in science, in everything. Still others try to keep the world running in the face of absurdity and uncertainty. And then there are the billions looking to the sky and wondering how a thing that was always just there is now... something absolutely impossible.

In many ways Richland, Ohio is the same tiny, sleepy rural village it has been for the last 150 years: The same families, the same farms, the same heartland beliefs and traditions that have sustained it for generations. But right now times are especially hard, as social and economic forces inside and outside the community roil the surface of the once-placid town. Richland, in other words, is primed to explode... just not the way that anyone anywhere could ever have expected. And when things do explode, well, that’s when things start getting really weird.

Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. Life couldn’t be better…until Andrew begins to pick up on the facts that (1) every Away Mission involves some kind of lethal confrontation with alien forces; (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations; and (3) at least one low-ranked crew member is, sadly, always killed.

Our universe is ruled by physics, and faster-than-light travel is not possible - until the discovery of The Flow, an extradimensional field we can access at certain points in space-time that transports us to other worlds, around other stars. Humanity flows away from Earth, into space, and in time forgets our home world and creates a new empire, the Interdependency, whose ethos requires that no one human outpost can survive without the others. It's a hedge against interstellar war - and a system of control for the rulers of the empire.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

John Perry did two things on his 75th birthday. First he visited his wife's grave. Then he joined the army. The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce—and alien races willing to fight us for them are common. So: we fight. To defend Earth, and to stake our own claim to planetary real estate. Far from Earth, the war has been going on for decades: brutal, bloody, unyielding. Earth itself is a backwater.

The only thing Benji lacks more than ambition is luck. And his new job has to be the lowest of the low. But something is stirring in the zero-footprint economy of New St. Louis. And Benji’s about to find himself chin deep in the muck! This story was originally published in the Hugo Award-nominated METAtropolis.

Ashley Perrin is fresh out of college and starting a job as a community liaison for the Third District–the city’s only sector with more alien residents than humans. Ashley’s barely found where the paper clips are kept when she’s beset with constituent complaints–from too much noise at the Annual Lupidian Celebration Parade to a trip-and-fall chicken to a very particular type of alien hornet that threatens the very city itself. And if that’s not terrifying enough, Ashley is next up at the office karaoke night.

Armed camps of eco-survivalists battle purveyors of technology in this exclusive, original production featuring five sci-fi masters and five all-star narrators.

A human diplomat creates an interstellar incident when he kills an alien diplomat in a most unusual way. To avoid war, Earth's government must find an equally unusual object: A type of sheep ("The Android's Dream"), used in the alien race's coronation ceremony. To find the sheep, the government turns to Harry Creek, ex-cop, war hero and hacker extraordinaire.