Résultats de "Jill Bialosky" dans Toutes les catégories

A career-spanning volume of the poet's work charts the seasons of a woman's life through desire and motherhood, grief and the consolations of poetry "The antidote we all need . . . [her] poetry evokes despair, survival—and most important, hope." —Katie Couric Beginning with 1997's The End of...

Anna Crane, soon to be married, reflects back on her childhood in Ohio during the 1960s and ‘70s with her two sisters and her charismatic, self-destructing mother. Evoking the claustrophobia of small-town life, Anna’s first passionate love affair with a troubled boy who works as a groom and trainer at a horse track, and her mother’s endless stream of suitors and a failed marriage, the novel races toward a chilling conclusion when Anna is betrayed by the two most important figures in her young life.

Eleanor Cahn is a professor of literature, the wife of a preeminent cardiac surgeon, and a devoted mother. But on a trip to Paris to present a paper on Anna Karenina, Eleanor re-connects with Stephen—a childhood friend with whom she has had a complicated relationship—that forces her to realize that she has suppressed her passionate self for years.

For twenty years, Jill Bialosky has lived with the grief, guilt, questions, and confusion unleashed her by twenty-one-year-old sister Kim's suicide. Now, in a remarkable work of literary nonfiction, she re-creates with unsparing honesty her sister’s inner life, the events and emotions that led her to take her life on this particular night. In doing so, she opens a window on the nature of suicide itself, our own reactions and responses to it—especially the impact a suicide has on those who remain behind.

An unnamed narrator’s life is unraveling. Her only child has left home, and her twenty-year marriage is strained. Anticipation about her soon-to-be-released book of poetry looms. She seeks answers to the paradoxes of love, desire, and parenthood among the Greek and Roman gods at the Metropolitan Museum of Art. As she passes her days teaching at a boys’ prep school, spending her off-hours sequestered in the museum’s austere galleries, she is haunted by memories of a yearlong friendship with a colleague, a fellow poet struggling with his craft.

Edward Darby has everything a man could hope for: meaningful work, a loving wife, and a beloved daughter. With a rising career as a partner at an esteemed gallery, he strives not to let ambition, money, power, and his dark past corrode the sanctuary of his domestic and private life. Influenced by his father, a brilliant Romantics scholar, Edward has always been more of a purist than an opportunist. But when a celebrated artist controlled by her insecurities betrays him, he finds himself unmoored.