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African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

In this volume of classic poetry our wordsmiths are our companions on journeys near and far. They describe and create worlds that we can explore with them, word by word and line by line. In the company of Keats, Wordsworth, Bronte, Whitman, Kipling and a wealth of others these journeys in verse will be like no other.

This anthology features a wide array of thought-provoking, genre-defining works from the 1900s, showcasing the range of modern storytelling—from existential musings to dark humour and intricate social commentary. These are the stories that have shaped modern literature, offering timeless insights into human nature and society. This collection brings together the finest modernist narratives, political reflections, and social commentaries that have shaped literature as we know it.

In this fictional confession, an unnamed narrator reveals the “great secret” of his life: he was born mixed race - and his ability to pass as white has provided him a unique perspective on America’s profound racial prejudice. As he recounts his experiences in the American South, the suburbs of the Northeast, New York City jazz clubs, and various European capitals, he also grapples with the emotional fallout of a life lived in constant fear of discovery - a life lived, in other words, in a culture unaccountably preoccupied with the shade of a person’s skin.

It is in this environment that The Autobiography of an Ex-Colored Man is written. In this novel, the narrator describes his life as a Black child and young adult, working his way through the various social classes. He becomes a musician and travels the world as a free Black man for much of his life, but eventually makes the decision to live as a White man after witnessing a horrific lynching. The rest of his life is spent keeping a piece of himself hidden from everyone in an attempt at safety.

The Autobiography of an Ex-Colored Man, a 1912 novel by James Weldon Johnson, is a fictional autobiography which was originally published anonymously. It chronicles the intricacies of racial identity in the late 19th and early 20th centuries through the life of its biracial narrator. The book portrays his journey through America's color lines, from his attendance of a black college in Florida to an elite New York nightclub, from the rural South to the suburbs of the Northeast, and a visit to Europe. The author employs places, character, and incidents from his own life....

Johnson transformed memories of the sermons he heard in the late 1800s by renowned African American preachers into this now-classic work of original poetry. Basis for a PBS documentary on Johnson titled Lift Every Voice and Sing.

Originally published anonymously in 1912, The Autobiography of an Ex-Colored Man revealed as never before the color line dividing America, and the price it exacted on those souls who could traverse the two worlds. The book presents the fictional account of "an ex-colored man" - an African-American who could pass for white - as he attempts to choose which side of the line will better suit his life, and his psyche.

James Weldon Johnson's emotionally gripping novel is a landmark in black literary history and, more than eighty years after its original anonymous publication, a classic of American fiction. The first fictional memoir ever written by a black, The Autobiography of an Ex-Colored Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright.

The first fictional memoir ever written by an African-American, The Autobiography of an Ex-Coloured Man influenced a generation of writers during the Harlem Renaissance and served as eloquent inspiration for Zora Neale Hurston, Ralph Ellison, and Richard Wright. In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans. Told by a bi-racial man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines....

James Weldon Johnson was born in Jacksonville, Florida, on 17th June 1871. His mother, Helen, a musician and a public school teacher, initially home-schooled him, giving him a love of both English literature and European music. At 16, his education moved to Atlanta University, and he graduated with a degree in 1894. In 1904 Johnson helped in Theodore Roosevelt's presidential bid. On winning, Roosevelt appointed him as US consul at Puerto Cabello, Venezuela, in 1906 and then Nicaragua from 1909.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.