Résultats de "Jack Kerouac" dans Toutes les catégories

Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac's classic novel of freedom and longing defined what it meant to be "beat" and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that "set them free".

Jack Kerouac’s classic novel about friendship, the search for meaning, and the allure of nature “In [On the Road] Kerouac’s heroes were sensation seekers; now they are seekers after truth . . . the novel often attains a beautiful dignity.”—Chicago Tribune First published in 1958, a...

More than 60 years ago, William S. Burroughs and Jack Kerouac, two novice writers at the dawn of their careers, sat down to write a novel about the summer of 1944, when one of their friends killed another in a moment of brutal and tragic bloodshed. Alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and obsession, art and violence.

From the acclaimed Beat Generation author of On the Road and The Dharma Bums come eight extended poems in which he reflects on the urban settings he finds himself in. Best known for his novels, Jack Kerouac is also an important poet. In these poems, Kerouac writes from the heart of experience in the music of language, employing the same instrumental blues and jazz forms that he used in another book of poems, Mexico City Blues.

Sal Paradise, un giovane newyorkese con ambizioni letterarie, incontra Dean Moriarty, un ragazzo dell'Ovest. Uscito dal riformatorio, Dean comincia a girovagare sfidando le regole della vita borghese, sempre alla ricerca di esperienze intense. Dean decide di ripartire per l'Ovest e Sal lo raggiunge; è il primo di una serie di viaggi che imprimono una dimensione nuova alla vita di Sal.

A poignant masterpiece of wrenching personal expression from the author of On the Road and The Dharma Bums In this 1962 novel, Kerouac's alter ego Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the...

Ray Smith is a young man seeking a life of simplicity and truth. Another young man, Japhy Rhyder, becomes instrumental in leading Ray to Buddhism as they embark upon a spiritual quest. Their journey takes them from the Bohemian parties of San Francisco to the natural beauty of the High Sierra mountains. Through such books as Doctor Sax and The Subterraneans, Jack Kerouac was an inspiration to the beat culture, hippies, and dharma seekers of the 1950s and 60s.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.

Dive into Big Sur, a timeless classic from the iconic bohemian traveler, Jack Kerouac. The narrative, told through the eyes of Jack Dulouz - a character largely inspired by Kerouac himself, orbits around his struggle to balance the unexpected fame from his successful writing career and his personal battle with alcoholism. The backdrop for this introspective journey is the serene and isolated cabin in the heart of Big Sur, California. (Narration by Ben Tucker)

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

Jack Kerouac tells the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac’s own birthplace, the dingy factory town of Lowell, Massachusetts. There, Doctor Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack’s fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and textures of his boyhood in Lowell in this novel of a cryptic, apocalyptic hipster phantom.

Arguably his finest post- On the Road novel, Big Sur captures Kerouac (here named Jack Duluoz) trying to escape the clamor of beatnik adulation by retreating to Lawrence Ferlinghetti's peaceful cabin in Big Sur. What begins as a pastoral regeneration descends into a personal hell when Kerouac suffers an alcoholic breakdown.

In 1955, novelist Jack Kerouac detoured from his cross-country American travels to Mexico City, where a group of junkie expatriates he had known from the New York City post-war scene had gone for the cheap and plentiful supply of heroin and morphine. Fellow beat writer William S. Burroughs, who had been a part of the Mexican expatriate community, had introduced Kerouac to Bill Garver (named Old Bull Gaines in the novel), a much-older, long-term addict who had in turn introduced Kerouac to Esperanza Villanueva, whom Kerouac named Tristessa in the novel.

Maggie Cassidy (escrita en 1953 y publicada en 1959) es el tercer volumen del magno ciclo La leyenda de Duluoz. En ella, el joven Jack Duluoz, de dieciséis años, conoce a una chica en el baile de Nochevieja de 1939, coquetean, vuelven a verse, se dan celos, son víctimas de murmuraciones, se pelean, se reconcilian y se enfrentan a las primeras decisiones de la vida adulta. Es la historia del primer amor del protagonista, un amor adolescente que engloba otros despertares: al mundo exterior, la sexualidad, la espiritualidad, los estudios, el trabajo, la vocación.

Just as he upended the conventions of the novel with On the Road, Jack Kerouac revolutionized American poetry in this ingenious collection. Bringing together selections from literary journals and his private notebooks, Jack Kerouac’s Scattered Poems exemplifies the Beat Generation icon’s innovative approach to language. Kerouac’s poems, populated by hitchhikers, Chinese grocers, Buddhist saints, and cultural figures from Rimbaud to Harpo Marx, evoke the primal and the sublime, the everyday and the metaphysical.

Los subterráneos es una de las mejores novelas de Jack Kerouac; en ella se precisa su voluntad de llevar a cabo una suerte de autobiografía literaria que será, al mismo tiempo, una crónica legendaria de la Generación Beat. En efecto, casi todo es aquí relato autobiográfico, "fraseado" con ese inimitable estilo sincopado que Kerouac aprendió escuchando en el Minton's de Nueva York a los grandes del bop. Al igual que Charlie Parker, Kerouac improvisa en torno a un tema, y escribe de la manera más flexible, adaptándose en cada episodio a las resonancias que le sugiere el momento.

While his masterpiece On the Road languished on the desks of unresponsive editors, Kerouac turned to Buddhism, and in 1953 began writing reading notes on the subject intended for his friend Allen Ginsberg. As his Buddhist study and meditation practice intensified, what had begun as notes evolved into a vast, all-encompassing work of nonfiction into which he poured his life, incorporating poems, haiku, prayers, journal entries, fragments of letters, ideas about writing, sketches, and more.

This novella tells the story of a ten-year-old Black boy named Pictorial Review “Pic” Jackson, who lives with his grandfather in North Carolina in the 1940s. After his grandfather dies and Pic is living with another relative, his older brother, Slim, shows up to take him out of that dysfunctional home, and they journey from the rural South to New York City. They head for Harlem, where Slim lives with his girlfriend and where Pic sees firsthand the economic hard times his brother is experiencing. After losing job after job, Slim sends his pregnant girlfriend off to San Francisco.

From a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.