Résultats de "Henry Fielding" dans Toutes les catégories

In one of the first novels in the English language, we follow the picaresque adventures of Joseph Andrews, a virtuous young man who is keen to maintain his innocence despite being coerced by nearly every woman he encounters.

Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

Tom Jones is greatly admired not only for the meticulous craft with which it was written, but also for its humor, objectivity and penetrating psychological depth. It is without a doubt one of the great contributions to the English novel, and as such will always maintain a place of honor in world literature. Through the minute examination of the motives of his characters, Henry Fielding revealed many universal truths about human nature.

Riotous, sexy and groundbreaking, Henry Fielding's Joseph Andrews: The History of the Adventures of Joseph Andrews and His Friend Mr. Abraham Adams, published in 1742, was one of the first English novels. Fielding was melding and parodying the two major forces battling for control of the fiction market at the time - the mock heroic, neoclassical tradition as practiced by Pope and Swift and the popular and populist fiction of the new novelists such as Defoe and Richardson.

Tom Jones is a splendid Hogarthian panorama of 18th century English life and morals, encompassing both city and country, and comprising some of the greatest comic characters in British literature. First published in 1749, it was an instant success and has gone on to become a classic of its genre. Quite simply, there has never been anything like it.

The ‘Voice of the Year’ competition introduced and sponsored by Naxos AudioBooks and The Times books pages, edited by Erica Wagner, took place in Spring 2004. Readers without any formal drama training or professional acting experience were invited to send in recordings of a short extract of either Dickens, Austen or from The Wind in the Willows by Kenneth Grahame and an own choice. The judging panel - Martin Jarvis, Juliet Stevenson, and Anton Lesser, with John Tydeman, David Timson, and Christina Hardyment....

In early eighteenth-century England, a troubling alliance formed between criminals and those in power, as magistrates and lawyers found themselves compromised, leading to a surge in robberies and societal unrest. Amid this chaos, the renowned author and social reformer Henry Fielding emerged, driven by a strong sense of justice. Serving as a magistrate, he not only penned this insightful treatise but also initiated a groundbreaking register of convicted criminals. His visionary leadership led to the recruitment of six dedicated constables, known as The Bow Street Runners, who are celebrated as...

Dive into the rich tapestry of experiences and emotions that characterize the second volume of Amelia, where themes of adventure, self-discovery, and the complexities of human relationships take center stage. This podcast invites listeners to explore a rotating collection of audiobooks that resonate with the spirit of exploration and the nuances of personal growth. Each episode presents a new complete audiobook, offering a diverse range of narratives that reflect the joys and challenges of life’s journey. Through these unique explorations, listeners are encouraged to reflect on their own ...

Dive into the whimsical and often absurd realm of theatrical satire with "Author's Farce," a podcast that celebrates the rich tradition of comedic storytelling. Each episode showcases a new complete audiobook that explores the interplay between authorship, creativity, and the delightful chaos that accompanies the pursuit of artistic expression. Through farcical narratives filled with eccentric characters and ludicrous situations, listeners are invited to reflect on the nature of storytelling itself and the follies that often arise in the process. This is not a single story but a series of ...

This is the first volume of a three volume novel. In this novel, Amelia marries William Booth against her mother's desires, and the two must move to London. Fielding explores the issues of married life such as infidelity and whether women's intelligence is equal to men's. (Summary by Libby Gohn)

"I do not pretend to say the young man is without faults; but they are all the faults of wildness and of youth; faults which he may, nay, which I am certain he will, relinquish." One of the great works of the English literary canon, this comic masterpiece, first published in 1749, draws us into the lives of two neighbouring Somersetshire squires and friends, one genial and generous, the other a hot-headed lover of the hunt and the bottle, who conspire together, on the basis of a mutual misunderstanding, to marry the former's nephew to the latter's daughter, very much to the discomfort of the ...

Volume three in the trilogy entitled Amelia. A continuation of the love story of Amelia and her husband Willam Booth and the trials and tribulations they go through. - Summary by Michele Eaton

Tom Jones by Henry Fielding is a comedic novel that follows the life and adventures of its foundling protagonist, Tom Jones, as he navigates through love, betrayal, and society's expectations. The novel is celebrated for its vivid characters, intricate plot, and exploration of human nature and morality, making it a significant work in the development of the novel as a literary form. Fielding's satirical lens critiques the hypocrisy of 18th-century British society while ultimately advocating for virtue and goodness.

As several gentlemen in these times, by the wonderful force of genius only, without the least assistance of learning, perhaps, without being well able to read, have made a considerable figure in the republic of letters; the modern critics, I am told, have lately begun to assert, that all kind of learning is entirely useless to a writer; and, indeed, no other than a kind of fetters on the natural sprightliness and activity of the imagination, which is thus weighed down, and prevented from soaring to those high flights which otherwise it would be able to reach.

We are now, reader, arrived at the last stage of our long journey. As we have, therefore, travelled together through so many pages, let us behave to one another like fellow-travellers in a stage coach, who have passed several days in the company of each other; and who, notwithstanding any bickerings or little animosities which may have occurred on the road, generally make all up at last, and mount, for the last time, into their vehicle with chearfulness and good humour; since after this one stage, it may possibly happen to us, as it commonly happens to them, never to meet more.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 16: I have heard of a dramatic writer who used to say, he would rather write a play than a prologue; in like manner, I think, I can with less pains write one of the books of this history than the prefatory chapter to each of them.

Among other good uses for which I have thought proper to institute these several introductory chapters, I have considered them as a kind of mark or stamp, which may hereafter enable a very indifferent reader to distinguish what is true and genuine in this historic kind of writing, from what is false and counterfeit. Indeed, it seems likely that some such mark may shortly become necessary, since the favourable reception which two or three authors have lately procured for their works of this nature from the public, will probably serve as an encouragement to many others to undertake the like.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 15: There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that it is not true.

A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire though he sometimes succumbs to the charms of the local girls. BOOK 17: When a comic writer hath made his principal characters as happy as he can, or when a tragic writer hath brought them to the highest pitch of human misery, they both conclude their business to be done, and that their work is come to a period.

In our last initial chapter we may be supposed to have treated that formidable set of men who are called critics with more freedom than becomes us; since they exact, and indeed generally receive, great condescension from authors. We shall in this, therefore, give the reasons of our conduct to this august body; and here we shall, perhaps, place them in a light in which they have not hitherto been seen.