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The planet where his new plantation was established was very strange, with a complete lack of sex; all of his workers and all the animals and plants had no sex at all; they were all 'its'. But like every farmer on every planet, Duncan had to hunt down anything that damaged his crops—and whatever animal ate his vua plants was going to die. Of course he had no idea what this one looked like or what it was like, but whatever it was, he would track it and his rifle would bring it down. It was a very interesting hunt with a very interesting ending. Simak has written another delightful story that ...

Layard was a curiosity to sociologists. The planet supported thriving tribes of natives but they were genderless. How could tribes form without families? But Gavin Duncan didn’t care. He had come to Layard to farm vua plants. Their berries cured mental illnesses and were one of the most expensive commodities in the galaxy. He was going to make his fortune if he could just keep the Cytha at bay, a big, dumb animal that could munch through 10 rows of vua in a night. Despite native superstitions he was going to have to hunt and kill the pest if he was to protect his crop. It was a dim-witted ...

In this Hugo Award-winning classic, Enoch Wallace is an ageless hermit, striding across his untended farm as he had done for over a century, still carrying the gun with which he had served in the Civil War. But what his neighbors must never know is that, inside his unchanging house, he meets with a host of unimaginable friends from the farthest stars.

Jenkins was a robot. He was built to be the perfect worker, tireless and uncomplaining. But, quite unexpectedly, he also became a close companion to generation after generation of his owners as the human race matured, moved beyond the confines of its once tiny planet, and eventually changed beyond all recognition.

Hank is walking home from the bar when the Model T pulls alongside him. It's been decades since he saw a car this old, and the sound of it takes him right back to his 20s. The door is open, and when he climbs in, the car takes off - without a driver. Before he knows what's happened, Hank is right back at Big Spring Pavilion, where he spent his youth drinking bootleg whiskey and chasing pretty girls. He will find the past is not quite as he remembered it, but still a lovely place to go for a drive.

When a group of friends decides to take time travel into their own hands, they embark on an unforgettable journey back to a world where mastodons and saber-toothed tigers roam the Earth. With no government backing or corporate funding, they navigate the challenges and absurdities of this daring adventure on a shoestring budget. Clifford D. Simak masterfully blends humor and insightful commentary as he explores what it means to chase dreams—no matter how impossible they seem. As they encounter prehistoric creatures and face unexpected hurdles, the team must grapple with the realities of their...

The long and prolific career of Clifford D. Simak cemented him as one of the formative voices of the science fiction and fantasy genre. The third writer to be named a Grand Master by the Science Fiction Writers of America, his literary legacy stands alongside those of Robert A. Heinlein and Ray Bradbury. This striking collection of nine tales showcases Simak's ability to take the everyday and turn it into something truly compelling, taking listeners on a long journey in a very short time.

Named a Grand Master by the Science Fiction Writers of America, Clifford D. Simak was a preeminent voice during the decades that established science fiction as a genre to be reckoned with. Held in the same esteem as fellow luminaries Isaac Asimov, Robert A. Heinlein, and Ray Bradbury, his novels continue to enthrall today's audiences. And his short fiction is still as gripping and surprising now as when it first entertained an entire generation of fans.

The twentieth century's so-called golden age of science fiction produced many great writers, yet none is greater than Clifford D. Simak, named Grand Master by the Science Fiction Writers of America. His bold visions of and ingenious speculations about humankind's future, always enriched with empathy and a deep understanding of human strengths, foibles, and failings, have stood the test of time, remaining powerful, affecting, and relevant.

Beginning with the unforgettable title story—a wry and chilling horror tale about cloning and alien invasion that inspired the classic teleplay "The Duplicate Man" from the television series The Outer Limits—Simak propels the listener on a breathtaking journey across the galaxies and into the future. He then enthralls us with the strange chronicle of twin siblings, one tied to the Earth, the other drawn to the stars; imaginings of a volatile reunion of two former enemies who must join forces on Jupiter's moon or face extinction; and the story of a house in the middle of nowhere.

No science fiction author was more highly regarded than Grand Master Clifford D. Simak, winner of numerous honors. One of the genre's premier literary artists, Simak explores time travel and time engines; examines the rituals and superstitions of galactic travelers who have long forgotten their ultimate purpose; and even takes fascinating detours through World War II and the wild American West in a wondrous anthology that no science fiction fan should be without.

In the collection's title story, Frederick Gray is closing in on seventy and has outlived his usefulness as a professor of law. He has no family; his best friend, fellow faculty member Ben Lovell, has recently died. Before Gray moves into a retirement home, he takes a final canoe trip to a favorite fishing spot he and Lovell had visited many times, only to find that someone has built a house on the remote riverside. When an accident leaves Gray stranded and in pain, he returns to the shelter seeking aid and instead finds a new reason for living.

Twelve classic tales of the unknown from the Hugo and Nebula Award-winning author of Way Station.

This volume contains ten stellar short stories by Clifford D. Simak. In "Grotto of the Dancing Deer," a man carrying an ancient secret finally speaks up, unable to bear any longer the loneliness he has experienced for millennia. In "Over the River," which Simak wrote in memory of his beloved grandmother Ellen, children from an embattled future are sent back for safekeeping to their ancestors in the peaceful past. And in "Day of Truce," the inhabitants of a suburban subdivision must barricade themselves against bands of roving attackers.

Narrated by Joseph Tabler, Science Fiction Stories of the Future from the Past consists of the following works: “The Automatic Maid of All Work” by M. L. Campbell; “Ely’s Automatic Housemaid” by Elizabeth W. Bellamy; “Mr. Meek—Musketeer” by Clifford D. Simak; “Mr. Meek Plays Polo” by Clifford D. Simak; “In the Year Ten Thousand” by William Harben; “Service with a Smile” by Charles L. Fontenay; “Family Tree” by Charles L. Fontenay; and “Glow Worm” by Harlan Ellison. All stories are in the public domain.

Hiram Taine is a handyman who can fix anything. When he isn't fiddling with his tools, he is roaming through the woods with his dog, Towser, as he has done for as long as he can remember. He likes things that he can understand. But when a new ceiling appears in his basement - a ceiling that appears to have the ability to repair television sets so they're better than before - he knows he has come up against a mystery that no man can solve.

This early novella by Clifford Simak includes many elements which have become staples in science fiction literature: alien invasion, time travel and the multiverse. The future entire Earth is threatened by the invasion of a phantasmal force known as the Black Horror, which appears to be impervious to all weapons developed by man. To where will Dr Silas White turn for the rescue of the planet?

Mr. Jonathan Chambers senses that something is very wrong. The walk he takes every night is suddenly, slightly shorter. All around him things are vanishing. Is it because of the recent war or famine in the world? Does the scandalous theory that cost him his job hold the key? Or is it just the slowly unhinging mind of a recluse?

X Minus One premiered in April 1955 on NBC and ran until January 1958. Like its predecessor series, Dimension X, X Minus One featured stories by the greatest names in modern science fiction: Ray Bradbury, Robert Heinlein, Clifford Simak, Robert Bloch, and many more.

X Minus One premiered in April 1955 on NBC and ran until January 1958. Like its predecessor series, Dimension X, X Minus One featured stories by the greatest names in modern science fiction: Ray Bradbury, Robert Heinlein, Clifford Simak, Robert Bloch, and many more.