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Charles Waddell Chesnutt was an influential African American writer of fiction at the turn of the 20th century; his biographical work on Frederick Douglass was thus an exception. The book begins with Douglass’ birth in slavery and covers escape to New York. It culminates in Douglass’ life as a free man and lecturer on the antislavery circuit.

The Negro Problem is classic collection of essays, edited by Booker T. Washington and with contributions from many of post-Civil War America's other prominent African-American thinkers, sought to redefine the role of Black persons in the new Jim Crow era and beat back white supremacy through racial uplift. Seven essays include Charles Chesnutt's The Disfranchisement of the Negro, W. E. B. DuBois "The Talented Tenth", and Wilford Horace Smith's "The Negro and the Law".

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.