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Charles W. Chesnutt (1858-1932) is considered the first important Black American novelist. The Conjure Woman is a collection of seven stories that began appearing in magazines in 1887 and were first published together in 1899. The narrator of The Conjure Woman is a White man from the North living in the South who passes along the stories told to him by the ex-slave Julius McAdoo. The narratives provide a realistic picture of the pre-Civil War South, including descriptions of brutish slave owners.

Charles Waddell Chesnutt was an influential African American writer of fiction at the turn of the 20th century; his biographical work on Frederick Douglass was thus an exception. The book begins with Douglass’ birth in slavery and covers escape to New York. It culminates in Douglass’ life as a free man and lecturer on the antislavery circuit.

Drawing on the 1898 overthrow of the Wilmington, North Carolina, government by white supremacists, Charles W. Chesnutt’s classic novel unmasked the racism of the post-Reconstruction South.

The short story Sis' Becky's Pickaninny of "The Conjure Woman" now follows John as he reproaches McAdoo for all of his superstitious beliefs and how they lack foundation, commenting that these traditions are the reason why Southern Black people are destined for a life of continued acquiescence and little prosperity. This opinion stemmed from McAdoo's assertion that carrying a rabbit foot leads to good luck. John is concerned for Annie's health, since the main reason they moved to the countryside was to improve her health due to her current bouts of depression and anxiety.

The Negro Problem is classic collection of essays, edited by Booker T. Washington and with contributions from many of post-Civil War America's other prominent African-American thinkers, sought to redefine the role of Black persons in the new Jim Crow era and beat back white supremacy through racial uplift. Seven essays include Charles Chesnutt's The Disfranchisement of the Negro, W. E. B. DuBois "The Talented Tenth", and Wilford Horace Smith's "The Negro and the Law".

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.