Résultats de "Calvin Trillin" dans Toutes les catégories

Tepper enjoys sitting in his car, reading his newspaper in peace. His car always seems to be parked in a prime spot and other drivers want to know if Tepper is going out. He isn't. This drives some people crazy - including the mayor - but leads others to think Tepper harbors some hidden wisdom. The tale that emerges is "refreshing and completely likable."

Roz Chast brings her brilliant, hilarious artwork to No Fair! No Fair! and Other Jolly Poems of Childhood by Calvin Trillin and The African Svelte: Ingenious Misspellings That Make Surprising Sense by Daniel Menaker, as well as her own memoir Can't We Talk About Something More Pleasant?. Join us for a conversation moderated by Adam Gopnik ( The New Yorker) between the artist and authors, plus readings by Jane Curtin and Reg Rogers ( The Knick).

"Reporters love murders," Calvin Trillin writes in the introduction to Killings. "In a pinch, what the lawyers call 'wrongful death' will do, particularly if it's sudden." Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people's lives is suddenly exposed when someone comes to an untimely end.

Roz Chast brings her brilliant, hilarious artwork to No Fair! No Fair! and Other Jolly Poems of Childhood by Calvin Trillin and The African Svelte: Ingenious Misspellings That Make Surprising Sense by Daniel Menaker, as well as her own memoir Can't We Talk About Something More Pleasant?. Join us for a conversation moderated by Adam Gopnik ( The New Yorker) between the artist and authors, plus readings by Jane Curtin and Reg Rogers ( The Knick).

In the early sixties, Calvin Trillin got his start as a journalist covering the Civil Rights Movement in the South. Over the next five decades of reporting, he often returned to scenes of racial tension. Now, for the first time, the best of Trillin’s pieces on race in America have been collected in one volume.

From the grand old man of comedy, George Burns, to the up-to-the minute observations of today's everyman, Dave Barry, these great humorists share one thing in common: their very individual, often raucously funny perceptions of the world around them.

Calvin Trillin proves that he is one of America's funniest food writers, while recalling his efforts to write a definitive history of the Buffalo chicken wing to his attempts to lure his older daughter back from California by finding an irresistible bagel.

This original recording - his first - features Trillin at his most uproarious, reading from his own articles and books. Wonderfully funny and full of surprises, this is a thoroughly satisfying, eminently entertaining, and beautifully crafted collection.

Calvin Trillin has been a staff writer for The New Yorker since 1963, the year the magazine published "An Education in Georgia", his account of the desegregation of the University of Georgia. He also became the "deadline poet" at The Nation in 1990. He has written verses on current events for The New Yorker, The New York Times, and National Public Radio, and has published 25 books.

Andy Borowitz was here last week with friends Susie Essman, Hendrik Hertzberg, Calvin Trillin and surprise guest Lewis Black, for his Countdown to Election 2012. Before the panel took the stage, Borowitz performed a monologue on stage that had the audience, and his panel guests, in stitches.

In Calvin Trillin's antic tales of family life, Alice was portrayed as the wife who had "a weird predilection for limiting our family to three meals a day" and the mother who thought that if you didn't go to every performance of your child's school play, "the county would come and take the child". Now, five years after her death, her husband offers this loving portrait of Alice Trillin off the page.

Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation. But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press.