Résultats de "Andrew Marvell" dans Toutes les catégories

T.S. Elliot was likely the best read of any of his contemporaries. In his poetry, we often find an allusion to the works of other great writers. In "The Love Song of J. Alfred Prufrock" he makes reference to Dante Shakespeare and "To His Coy Mistress" by Andrew Marvel. Prufrock, as the name implies, is an indecisive wimp, whereas Marvel in his seduction poem, has his eye on the prize, and makes no bones about it.

Bitter Lips, Sweet Heart is a unique collection of romantic poetry first assembled by a group of young male college students who got together to read poetry and drink tea every week, thinking themselves spurned romantics and talented poets. Most of the original selections have been forgotten, and the collection has been updated for this simple release with a sense of irony and sheepishness in mature adulthood. May its angst, irony, lust, and innocent affection amuse and entertain you today, just as it did the four nerdy boys who assembled it to communicate.

Sex, science and spirituality! These were the triad of influences on the poetry of the seventeenth century. Following the golden age of Elizabeth I this century was to be one of great tensions; between Parliament and the Monarchy, Canterbury and Rome, science and religion; a civil war, the beheading of a King, The Republic, The Restoration, and finally, the Glorious Revolution which deposed a King and firmly reasserted the Protestant ascendancy.

Probably one of the most dissected seduction poems ever written, "To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621-1678) either during or just before the English Interregnum (1649-60). It was published posthumously in 1681. This poem is considered one of Marvell's finest and is possibly the best recognized carpe diem poem in English. Although the date of its composition is not known, it may have been written in the early 1650s.

Andrew Marvell's classic plea to his mistress to show her love for him while they are both still young and passionate, read by Bill Wallis.

John Donne, Andrew Marvell, George Herbert, Thomas Carew, and Henry Vaughan: these were some of the 17th-century writers who devised a new form of poetry full of wit, intellect and grace, which we now call Metaphysical poetry. They wrote about their deepest religious feelings and their carnal pleasures in a way that was radically new and challenging to their readers. Their work was largely misunderstood or ignored for two centuries, until 20th-century critics rediscovered it, finding in it a deep originality and a willingness to experiment.

Here, in this volume history’s greatest poets convey thoughts, feelings and sentiments of love to you in quick (or bite-size) conversations of verse that can slip into your day and your partner's heart.

The Caroline era was dominated by the growing religious, political and social conflict between the King and his supporters; the Royalists and it's Puritan opposition; the Roundheads. In contrast to the wars raging across Europe at the time, the Caroline period in Britain was an uneasy peace, as a dark shadow of civil conflict between the King and Parliament worsened toward the latter part of Charles’ reign. Whilst theatre unquestionably fell from its glittering peak achievements of William Shakespeare and Ben Jonson, in poetry the standard was perhaps only just shy of this bar.

Andrew Marvell was born in Winestead-in-Holderness, in the East Riding of Yorkshire on March 31st, 1621. He was educated at Hull Grammar School, and at the age of 13 he attended Trinity College, Cambridge, and eventually received his BA degree. It is thought that in 1642 Marvell travelled in Europe and, while England was embroiled in its civil war, remained there until 1647, mastering several languages including French, Italian and Spanish.