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A scintillating collection of tales with unexpected endings.

A BBC Radio 4 full-cast dramatisation of D. H. Lawrence's classic story about working class love, loss and hardship. Sensitive, intellectual Gertrude Coppard married miner Walter Morel for his rich, ringing laugh and colourful character. But now, years later, she finds there is little behind the bluster and their marriage has become riddled with disillusionment. Instead, Gertrude pours all her love and attention into her two sons, William and Paul.

Penguin Classics presents D. H. Lawrence's Sons and Lovers, adapted for audio and available as a digital download as part of the Penguin English Library series. Read by Paul Copley. '"She was a brazen hussy." "She wasn't. - And she was pretty, wasn't she?" "I didn't look ... And tell your girls...

Two women isolated on a lonely Cornish farm face an evil greater than all others: A fox has begun carrying off hens and roosters, and nothing they do seems to stop him. And then one day, a mysterious young man appears at the door. Now the women have to fend off not one, but two foxes.

Sons and Lovers was the first of Lawrence's major works, and is still considered to be one of his best. The 1913 novel, partly autobiographical and set in the coalmining village of Bestwood, is notable for being the first English novel to be genuinely working-class in origin and focus.

Captain Hepburn had a wife he didn’t love and a mistress who made hand-crafted dolls; in fact, she’d made one in the image of the captain, resplendent in his military uniform, and now his wife wants to buy it. In this taut tale, love is a complicated battle, and the soldier is outflanked.

Lady Chatterley's Lover, written in 1928, tells the story of a passionate love affair between an upper class woman and her husband’s gamekeeper, which was thought to be so shocking in its content and its straightforward use of explicit sexual terms, that it was not officially published until 1960.

Sons and Lovers is widely considered by critics and readers alike as D.H. Lawrence’s masterpiece and a classic interpretation of the Oedipal complex. Surely one of the greatest autobiographical novels ever written, it tells the story of Paul Morel, a sensitive artist with a far stronger attachment to his mother than his working-class, alcoholic father. Searching for love and human connection, Paul is torn between two very different women, but neither of them measures up to his mother.

Written in 1926... and published posthumously [without the authors customary revision] in 1930, The Virgin and the Gypsy is a minor masterpiece in short story writing. It provides an excellent introduction to Lawrence’s work, being a succinct distillation of his ideas about sexuality and its ability to transcend class barriers.

The story of the physical relationship between the aristocratic protagonist Constance Chatterley and gamekeeper Oliver Mellors - which occurs right under the nose of her wheelchair-bound husband, Clifford. In exploring the class system of the early 20th century, the novel also touches upon the declining coal-mining industry, its effect on the workers, and the politics which surrounded it. Yet possibly the most important theme is the individual’s need for physical as well as intellectual satisfaction.

Sons and Lovers, Lawrence’s third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a woman of middle-class family and a miner) in the tough world of coal mining, it brought a refreshing realism to literature. It remains a challenging text (and is studied widely). It is particularly effective as an audiobook in the hands of reader Paul Slack, who comes from Nottinghamshire.

Dylan Thomas made several recordings in the early 1950s of other poets' works. Here, he reads the poetry of D. H Lawrence, Thomas Hardy, W.B. Yeats and Walter De La Mare.

Lawrence’s style is bold, intimate and inventive and he always has the capacity to shock. His great strength comes from the realism of the characters he portrays and the play on tension – first seen in the exchanges between Gertrude and Morel and continuing with Paul, his Mother and his two women – which never lets up. Then marvel at the depth and quality of the writing as the story moves relentlessly towards its conclusion.

La obra prohibida por revelar hipocresias. Cuando Lawrence publico en 1928 su ultima novela, desato la furia de quienes se sentian aludidos por ella y que se apresuraron a declarar la obra como inmoral y a prohibirla. La verdad es que Lawrence en esta novela simbolizo en Lord Chatterley a todo el imperio britanico, paralizado e impotente, mientras que su esposa, ante la incapacidad del marido encontraba en un hombre de la clase media una alternativa.

Strong female protagonists grace this collection of passionate stories dedicated to mothers, daughters, wives, and lovers. A woman splurges on an irresistible coat that becomes her; a feisty teenager who has grown up as her activist mother¿s poster-child realizes the strength of her own convictions; and a young peasant woman saved from drowning is suddenly drawn to her rescuer and hopeful about her life.

David Herbert... Lawrence was born into a mining family in Nottinghamshire in 1885. He created his finest work shortly after the finish of the First World War. Two of the themes in his writing are the gradual disintegration of the class system and the customs and sexual mores of people across class divisions. What made Lawrence unusual was the combination of this subject matter with the style of his direct, modern prose.

A superb abridged reading of D. H. Lawrence's classic lustful tale.

Lady Chatterley’s husband returns from the War paralysed from the waist down. Frustrated by his attitudes as much as his disability, she begins a love-affair with the gamekeeper, Mellors. She realises that to be fully alive she must live the life of the body as well as the mind, but in doing so she angers the conventions of her day. Banned for over 30 years for the explicit nature of its language and descriptions of sex, Lady Chatterley’s Lover also exposes the dehumanisation of the mechanical age, and underlines the profound power of tenderness.

Two short novellas brimming with Lawrence’s famous power and passion. In the first, an injured German prisoner-of-war awakens a grieving woman’s passion; in the second, Maurice and Geoffrey are brothers, farmers and virgins until a rainy night when Paula and Lydia chance along.

It is hay-making time on the Wookey farm. Two brothers are building the haystack, but thinking about other things – about young women, and love. There are angry words, and then a fight between the brothers. But the work goes on, visitors come and go, and the long hot summer day slowly turns to evening. Then the sun goes down, covering the world with a carpet of darkness. From the hedges around the hayfield comes the rich, sweet smell of wild flowers, and the hay will make a fine, soft bed.