Résultats de "Mail+" dans Toutes les catégories

Award-winning Daily Mail crime writer Stephen Wright talks to top detectives, lawyers, victims and relatives to take an in-depth look at crimes that have shocked Britain (and the world), as well as revisiting some of his landmark stories and campaigns. From serial murderers to child killers, ruthless gangsters to corrupt police, psychopaths to paedophiles, celebrity criminals to audacious conmen, he untangles the mysteries and the secrets behind the headlines.

Machines Like Us is a technology show about people. We are living in an age of breakthroughs propelled by advances in artificial intelligence. Technologies that were once the realm of science fiction will become our reality: robot best friends, bespoke gene editing, brain implants that make us smarter. Every other Tuesday Taylor Owen sits down with the people shaping this rapidly approaching future. He’ll speak with entrepreneurs building world-changing technologies, lawmakers trying to ensure they’re safe, and journalists and scholars working to understand how they’re transforming our ...

here on the chain mail podcast brought to you by meya reid we will not discuss the annoyance and unimportance of the dumb chain mails your aunt sends you , oh no . here we talk business . aka talk about relevant social things as well as her life which is the opposite . thxz for listening .

Audio updates from South Africa's premier investigative news site. Follow us for special series, once off shows and more.

An orphan since she was 10, Tabitha Phillips was raised by a cousin who resented her, and she went out on her own as soon as she could. When the factory where she was working burned down, she was forced to return to her childhood home under the scrutiny of her critical relatives. Tabitha: Bride of Missouri is the 24th in the unprecedented 50-book American Mail-Order Brides series.

Tired of living under her father's iron thumb of control, Jessie Wilcox decides to do the unthinkable: run away to Montana as a mail-order bride. The only obstacle in her way: the 100 miles between her home in Williamsburg County and the train depot in Charleston. Joel Cunningham is in utter disbelief when the girl he once loved beyond reason is on his front porch asking him to disobey her father's wishes and drive her to Charleston. Logic and reason scream no; his lips, however, say yes.

As a child, David watches his grandfather, a Torah scribe or sofer, finish a Torah scroll for the synagogue. "A Torah is not something to be thrown away," his Grandfather explains. David's grandfather carefully stores the old Torah his new one has replaced in his cabinet, hoping to one day repair the letters so the Torah can be used again. David grows up and becomes a sofer just like his grandfather.

The moving and suspenseful new novel that Ann Patchett calls "smart and thrilling and impossible to put down... the book that every reader longs for." “This summer’s undoubtable smash hit… an addictive, heart-palpitating story.” —Marie Claire The sun is shining, the sea is blue, the...

It's Rosh Chodesh, the beginning of a new month in the Jewish calendar! In celebration of this monthly event, a family goes out to the Negev Desert to camp out and observe the moon. An essay about the changing phases of the moon and their relationship to the Jewish calendar, this audiobook explains the basics of the Jewish calendar, which is based on the moon rather than the sun. Instructions for building a papier mache moon are included. This audiobook is the fifth in Kar-Ben's Nature in Israel holiday series.

The olive harvest in Israel is a special time. See how the tiny spring flowers blossom into green fruit, then ripen into shiny black olives. Watch the olives as they're gathered, sorted, and pressed into oil. Then celebrate Hanukkah with an Israeli family, as they use the oil to light their Hanukkah menorah. Come and enjoy the harvest of light.

To celebrate Shavuot, a spring harvest festival, children in Israel make cheesecake using flour they have ground from wheat they have grown in their school garden, fresh goat cheese from the friendly petting zoo goats, and fresh strawberries from the garden.

Paret lay on the ground, quivering gently, a small froth on his mouth. The house doctor jumped into the ring. He knelt. He pried Paret's eyelid open. He looked at the eyeball staring out. He let the lid snap shut. He reached into his satchel, took out a needle, jabbed Paret with a stimulant. Paret's back rose in a high arch. He writhed in real agony. They were calling him back from death. One wanted to cry out, "Leave the man alone. Let him die."

There was entertainment at the Republican Gala on Sunday night. The climax was a full marching band of bagpipers. They must have been hired for the week since one kept hearing them on the following days, and at all odd times, heard them even in my hotel room at four am for a few were marching in the streets of San Francisco, sounding through the night, giving off the barbaric evocation of the Scots, all valor, wrath, firmitude, and treachery - the wild complete treachery of the Scots finding its way into the sound of the pipes.

He prepared therefore for the meditative journey that proves most excruciating in Limbo, a rounding through the past, a trip back! It is a venture full of perils. To meditate on TV might prove equal to writing a recollection of an enemy one has never met and cannot quite believe in. Indeed, how to conceive of an enemy who is without personal animosity? It was like writing a memoir of an oxymoron. Limbo set its tasks.

The final work of fiction from Norman Mailer, a defining voice of the postwar era, is also one of his most ambitious, taking as its subject the evil of Adolf Hitler. The narrator, a mysterious SS man in possession of extraordinary secrets, follows Adolf from birth through adolescence and offers revealing portraits of Hitler's parents and siblings. A crucial reflection on the shadows that eclipsed the 20th century, Mailer's novel delivers myriad twists and surprises along with characteristically astonishing insights into the struggle between good and evil that exists in us all.

Over the course of a nearly sixty-year career, Norman Mailer wrote more than 30 novels, essay collections, and nonfiction books. Yet nowhere was he more prolific - or more exposed - than in his letters. All told, Mailer crafted more than 45,000 pieces of correspondence (approximately 20 million words), many of them deeply personal, keeping a copy of almost every one. Now the best of these are published - most for the first time - in one remarkable volume that spans seven decades and several lifetimes.

Originally published in 1959, Advertisements for Myself is an inventive collection of stories, essays, polemic, meditations, and interviews. It is Mailer at his brilliant, provocative, outrageous best. Emerging at the height of "hip", Advertisements is at once a chronicle of a crucial era in the formation of modern American culture and an important contribution to the great autobiographical tradition in American letters.

First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration's words and actions, Mailer unleashes his trademark moral rigor: "Because democracy is noble, it is always endangered.... To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad."

When Tim Madden, an unsuccessful writer living on Cape Cod, awakes with a gruesome hangover, a painful tattoo on his upper arm, and a severed female head in his marijuana stash, he has almost no memory of the night before. As he reconstructs the missing hours, Madden runs afoul of retired prizefighters, sex addicts, mediums, former cons, a world-weary ex-girlfriend, and his own father, old now but still a Herculean figure.

Published at the height of the McCarthy era, Norman Mailer's audacious novel of socialism is at once an elegy and an indictment, a sinuous moral thriller and an intellectual slugfest. Wounded during World War II, Mike Lovett is an amnesiac, and much of his past is a secret to himself. But when Lovett rents a room in Brooklyn, he finds that his housemates have secrets of their own: one betrays a husband no one ever sees; another may have been a Communist executioner.