Résultats de "M.R. James" dans Toutes les catégories

Step into the quiet English countryside, where serenity hides shadows, and ancient grounds guard forgotten secrets. In M. R. James's chilling tale The Rose Garden, a simple act—planting roses on a peaceful estate—unearths more than just soil. Whispers in the wind, a cursed corner of land, and a long-buried injustice begin to stir. Elegant, eerie, and steeped in the uncanny, this masterfully told ghost story unfolds with James's signature subtlety and scholarly dread.

A child's memory, a shadowed path, a glimpse of something that should not be. In A Vignette, M. R. James offers a final brushstroke of quiet terror—intimate, elusive, and disquietingly real. This short, unsettling piece lingers like a half-remembered dream, evoking the moment when the everyday slips into the uncanny. With masterful restraint and emotional undercurrent, James reminds us that the most chilling hauntings are those born in the mind—and never truly forgotten.

A mournful cry, a well that echoes the past, and an invitation to remember the forgotten. In Wailing Well , M. R. James crafts a haunting tale of mystery and spectral terror, where the quiet of a rural landscape is disturbed by a cry from the past—an eerie wail that resonates through time. As James unearths the secrets buried in the forgotten well, he masterfully builds a sense of creeping dread and inevitable doom, reminding us that some things—once heard—can never be forgotten.

A picture that changes. A scholar who watches. A nightmare unfolding one shadow at a time. Forget jump scares—this is horror in its most refined form. The Mezzotint is a slow-burn classic where dread creeps in like fog and nothing is ever quite as it seems. M. R. James delivers a ghost story that gets under your skin—and stays there. Mysterious, unsettling, and quietly terrifying.

A sacred volume, a forgotten ritual, and the lingering presence of something not entirely gone— The Uncommon Prayer-book whispers of devotion turned to dread. M. R. James crafts a world where piety and peril overlap, where quiet study leads not to understanding, but to unease. This tale moves with the hush of cloisters and the rustle of ancient pages, all the while drawing the listener ever closer to an encounter best left unwritten. Dark, refined, and utterly disquieting.

Mr Wraxall, uno scrittore benestante, intraprende un viaggio in Scandinavia per scoprire il mistero del mausoleo in cui è sepolto il Conte Magnus e dove nessuno può entrare. Una produzione audio da brivido con musiche inquietanti e suoni, che ti condurranno tra gli oscuri meandri della pazzia, del sadismo, del crollo nervoso imminente e dell’assassinio.

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

London 1899: Edward Dunning hat über ein Vortrags-Exposé zum Thema Die vielen Gesichter der Alchemie aus der Feder eines gewissen Mr. Karswell, der dem Vernehmen nach selbst Alchemie und okkulte Künste praktiziert, eine ungünstige Einschätzung verfasst.

Die Gruselkabinett Hörspiel Box 26 beinhaltet die Geschichten: "Verlorene Herzen", "Mrs. Amworth", "Das ägyptische Parfüm", "Allerseelen".

Aswarby Hall, 1811/12: Der Waisenjunge Stephen wird zu einem weit älteren, entfernten Verwandten auf ein Herrenhaus auf dem Land geschickt, um fortan dort zu leben. Es dauert nicht lange, da hat der Junge unheimliche Begegnungen in dem alten Haus, die ihm Rätsel aufgeben...

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.