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Umiko Wada has had enough excitement in life. With an overbearing mother and her husband recently murdered, she just wants to keep her head down. As a secretary to a private detective, her life is pleasantly filled with coffee runs and paperwork. That is, until her boss takes on a new case. A case that is surrounded by shadows. A case that means Wada will have to leave Tokyo and travel to London.

After defeating one of El-Bona's strongest lackeys, Rinyv wakes up on the remote island she and her friends had been searching for. But instead of finding her comrades, she is trapped in a brutal prison where mutants endure relentless training under a cruel regime. As Rinyv navigates this harsh new reality, a monstrous threat rises from the sea, ready to annihilate everyone on the island. The aliens also close in, determined to capture their queen—and this time, they’ll stop at nothing.

Jewish masculinity as a diverse set of adaptive reactions to masculine hegemony and the political, religious, and social realities of American Jews throughout the twentieth century. For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity.

Umiko Wada never set out to be a private detective, let alone become the one-woman operation behind the Kodaka Detective Agency. But so it has turned out, thanks to the death of her former boss, Kazuto Kodaka, in mysterious circumstances. Keen to avoid a similar fate, Wada chooses the cases she takes very carefully. A businessman who wants her to track down his estranged son offers what appears to be a straightforward assignment. But she should have known that the simplest cases are never really simple at all. Soon she finds herself pulled into a labyrinthine conspiracy.

Twenty-one original stories of dangerous women by top genre writers, brought together in a new anthology edited by George R. R. Martin and Gardner Dozois. Intrepid warriors, far-ranging spacewomen, formidable superheroines, hard-living bad girls, embattled survivors, private investigators, seductive femmes fatale and haughty queens; as Gardner Dubois writes in his introduction, 'if you want to tie any of these women to the railway tracks, you'll have a real fight on your hands!'

Após herdar um prédio histórico soterrado em dívidas, Joon-Young precisa descobrir como manter seu lar a salvo de um conglomerado que faria de tudo para transformar o lugar em um resort. Para ele, o Coração do Rei não é apenas uma construção decadente, é também um lugar cheio de lendas, nas quais se recusa a desacreditar. Afinal, encontrar um tesouro escondido em suas terras seria o único jeito de restaurar a honra da família.

We know that an undercut requires work to pull off, but we struggle with the idea that this degree of effort is something a man should concern himself with. The undercut forces its wearer to care. And what kind of guy cares the most about his appearance? Yup, the f--kboys and the douchebags.

Spend some time exploring Singapore and you are bound to stumble upon a tree shrine. They are not always the largest trees or the most exotic, but you know them when you see them. White Styrofoam packets surround their gnarly trunks, and you might notice the distinct odour of incense, rising from a red wooden altar. What are the origins of these tree shrines? Why do people worship these seemingly ordinary trees? What is its connection to 4-D?

Despite its ubiquity and popularity, Mala Xiang Guo's history and origins are unknown. Search results on Google or Baidu throw up approximately 9 million recipes but not a single reliable account of how the MLXG was invented, or by whom. Find out how this spicy dish arrived on the sunny shores of Singapore and how the craze for this Mala dish all began.

For most, the name 'Lucky Plaza' alone is inseparable from its association with the local Filipino community; to say the words 'Lucky Plaza' is to mean 'Little Manila'. It's a place most Singaporeans would rarely think to visit, other than as another place to eat at when in Orchard Road (and even then, this is limited to either the ayam penyet restaurants or the famous yong tau foo joint on the sixth floor). But going around with a guide makes all the difference.

Do you know exactly what it means to be an 'auntie'? Who qualifies to be one? Is there an age range, a set of behaviour, a certain look? Choping seats at the hawker centre? Auntie. Scanning the Health Promotion Board Healthier Choice QR code for points to exchange for vouchers? Auntie. Skipping your warm-up in the gym and striding purposefully to the bench because it is the last free one? Auntie. Passive-aggressively complaining about aunties? Auntie.

One of the most peaceful spots in Singapore is hidden in plain sight. On Google maps, it's listed as "Shuang Long Shan Wu Shu Ancestral Hall", but a quick search reveals it's also known as "Shuang Long Shan Cemetery", "Yin Foh Kuan Hakka Cemetery" or "Holland Close Graveyard". Meet Teo Ee Koon, who has been manning the cemetery since 1982 with his father, who passed away in 2007.

Finding pleasure in wandering the supermarket seems to be an unusually common emotional experience. Even in the age of online grocery shopping, where RedMart will send ten pints of ice cream to your door free of judgement, Exploring the supermarket in other countries is practically a tourist activity in and of itself. What, then, lies behind the gravitational pull of the supermarket?

For 70 years, the Gurkha Contingent has been Singapore's elite guard and counter-terrorism force. To ensure their neutrality, they live in their own compound in Mount Vernon Camp, which caters to their housing, necessities, and recreation. Gurkha children are born and raised in Singapore, with the full knowledge that they will one day be repatriated from the country they grew up in. So what is it like growing up as the child of a Gurkha?

Fifteen-year-old Brynn can’t stop thinking about death. Her intrusive thoughts and severe anxiety leave her feeling helpless—and hopeless. So after her mom interprets one of Brynn’s blog posts as a suicide note, she takes extreme measures, confiscating Brynn’s phone, blocking her Internet access, and banishing her to stay with her father who lives “off the grid” on a houseboat in the Florida mangroves. Isolated from her online friends—her only friends—Brynn resigns herself to a summer of mind-numbing boredom and loneliness… until Skylar appears.

En 1985, durante una terrible tormenta, tres jóvenes son brutalmente asesinados en el Bletterbach, un enorme cañón tirolés cuyos fósiles cuentan la historia del mundo. Treinta años más tarde, el documentalista estadounidense Jeremiah Salinger se instala en la pequeña localidad alpina junto a su mujer y su hija pequeña y, a medida que va conociendo a los habitantes de la comunidad, se obsesiona con ese caso nunca resuelto.

El exquisito lord Torlundy cree desfallecer cuando le presentan a doña María, la sosa, insípida y poco agraciada hija del marqués de la Eras. Y es que aquella dama gris y aburrida viste como cien años atrás y es tan desagradable como un dolor de pies. Doña María no creía posible que en el atuendo de un caballero cupieran tantas cintas, lazadas y plumas hasta que le han presentado al afectado lord Torlundy, ayudante del almirante Carlton en la Oficina de la Guerra.

The nine narrative episodes of Volume Four of the Emmy® Award-winning Netflix Original series Love, Death + Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson. Introduction by John Scalzi, with stories by John Scalzi, Stant Litore, Siobhan Carroll, Bruce Sterling, John McNichol, Dave Hutchinson, Marc Laidlaw, and Robert Bisi & Andy Lyon.

Un mattino Vedina Maria dos Santos si sveglia e accanto a sé trova solo uno spazio vuoto e freddo: per l’ennesima volta suo marito ha preferito dormire altrove. È l’inizio di una giornata difficile, come molte del resto, ma oggi è diverso. Oggi Vedina compirà un gesto sconsiderato, un gesto indicibile. Come può la vita averla portata a tanto?

Londra, fine Ottocento. Alla morte del ricco e spietato marito, Cora Seaborne, decide di rifugiarsi nell’Essex per indagare su alcune bizzarre voci secondo le quali un serpente mostruoso, ricoperto di scaglie ruvide e con occhi grandi come una pecora, sarebbe emerso dalle paludi salmastre del Blackwater. La donna sospetta di trovarsi davanti a un caso di probabile interesse per il British Museum. Anche William Ransome, il vicario locale, è impaziente di indagare, convinto al contrario, che si tratti di un’empia superstizione da smontare al più presto.