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Twenty-six episodes from the third BBC Radio series starring Arthur Lowe, John Le Mesurier and Clive Dunn, plus the pilot episode of It Sticks Out Half a Mile. In 1973 the BBC adapted its hit wartime TV series for radio, featuring the original television cast and characters. Three series were broadcast between 1974 and 1976, with episodes adapted by Harold Snoad and Michael Knowles.

George Smiley has become acting chief of the Circus, but the credibility of the British Secret Service has been shattered. Smiley's adversary is Karla, the Soviet officer who masterminded the Circus's ruin. His battleground is Hong Kong and his choice of weapons is the Honourable Gerald Westerby. A brand new Radio 4 full cast dramatisation of the classic George Smiley novel by John le Carre, starring Simon Russell Beale. This is the sixth in the major new series of all eight George Smiley spy thrillers on radio.

All three series of the BBC Radio 4 comedy about love, marriage and despair, initially broadcast on BBC Radio 4 as 'Start/Stop'. Barney and Cathy. Evan and Fiona. David and Alice. Three couples who have beaten the odds and stayed married – but is that simply because they haven’t got around...

When Earthman Arthur Dent learns that first his house and then his planet are about to be bulldozed, it’s the beginning of an interplanetary adventure for him and his friend, Ford Prefect. After fleeing Earth they hitch a lift with hoopy frood Zaphod Beeblebrox, who hurtles from one improbability to another - literally. With Trillian and Marvin the Paranoid Android in tow, the answer to life, the universe and everything is soon revealed: 42. But what was the question?

The Encanto is buzzing with excitement as the community prepares for the first ever Festival of Bands—and with Mirabel in charge of planning, it’s sure to be a magnificent night of melodies and memories. Antonio and his animal friends are eager to help Mirabel and are at her service every step of the way. But when things don’t go as planned, it seems the festival is doomed to be more mayhem than music.

Jessica Shine is perhaps the most powerful magick user in the world. But even with all that power, she is trapped. Trapped by the Midnight Project, a secret government agency charged with battling vampires, shape shifters and dark magicians. But in order to battle those evil forces, they have begun to create monsters of their own. Monsters like Jessica Shine and her teammates, transformed with ancient rituals, arcane magicks and modern genetics to create supernatural warriors capable of defeating the dark forces threatening the world. But at what price?

Inspired by the real-life memoirs of Edinburgh's first detective, James McLevy, here are more fantastic fictional adventures featuring the tenacious Victorian crime-solver. Once again, McLevy and his faithful sidekick Constable Mulholland patrol the dark wynds and back alleys of 1840s Leith tracking down evildoers—aided by a surprising ally: the beautiful and resourceful brothel-keeper Jean Brash.

Meet Clare Barker, the social worker who likes nothing more than sorting out other people's problems (while failing to deal with her own). Wracked with guilt over being white, middle-class and heterosexual, she has a dedicated social conscience (unless it's inconvenient for her) and lives to interfere in other people's lives—both on a personal and professional basis. Bearing the brunt of her control freakery and lack of self-awareness are her family, colleagues and long-suffering teacher partner, Brian—all of whom have their own frustrations, disappointments and dramas.

Eugene O'Neill’s revolutionary 20th century dramas changed the direction of American theatre, introducing European realism and experimental techniques to the US stage. He wrote more than 50 plays, portraying characters on the margins of society and tackling controversial issues, winning a Nobel Prize, and four Pulitzer Prizes.

It’s been over three months since my friends and I took down Cyrus. Three months where my biggest fear was what paper was due next... But I should have known it was too good to last. Now everything is falling apart. The Vampire Court has no king, the Dragon Court has no heart, and the Gargoyle Court has me—a teenager in way over her head. And it’s the worst possible timing, because a threat is brewing just as the Circle is collapsing.

The world watches the sky with trepidation. The insanity of Xenocide knew no bounds, and all will soon suffer the effects he had planned for a millennium. Though none know what is to come, they all know it isn’t going to be easy to survive. The Master has a plan, one that can give the world at large a way to escape the onrushing desolation. It may be on the bleeding edge of morality and what he needs might prove too difficult to secure, but The Master asks for trust. Cal and Dale both have their role to play as the world hurtles toward destruction.

Mention Milton Jones to most people and the first thing they think is 'Help!'. Milton Jones is a man who can help anyone, anywhere - whether they need it or not. Because, in his own words, there's ''no problem too problemy''. When you're close to the edge, then Milton can give you a push...

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

Elizabeth Gaskell was one of Victorian England's pre-eminent female novelists. Admired by Charles Dickens, who described her as his 'dear Scheherazade', she mingled storytelling and social realism to superb effect in her highly acclaimed fiction. This comprehensive collection comprises dramas and readings of her finest works and some lesser-known pieces.

Between 1947 and 1957, Ealing Studios produced a series of immensely popular, darkly funny film comedies that made the West London borough famous throughout the world. Almost 50 years later, four of these timeless films were recreated for BBC Radio 4, and are now collected together for the first time.

Ariadne Oliver, Queen of Crime Fiction, has been asked to devise a Murder Hunt for a fête at Nasse House, the home of Sir George Stubbs. But she begins to suspect that someone is manipulating the scenario of her game and fears that something very sinister is being planned. She sends for her old friend Hercule Poirot. At first, he is not inclined to take her very seriously, but soon a series of events propels him to change his mind.

The classic trilogy about murder, revenge and justice, as heard on BBC Radio 3 – plus a bonus documentary exploring Aeschylus's seminal Greek tragedy. A chilling tale of homecoming, violent death and bloody vengeance, The Oresteia dates back to the fifth century BC, but its themes still resonate today. At once a family saga, morality tale and courtroom drama, it recounts how two generations of the cursed House of Atreus become locked into a deadly cycle of atrocities....

Five BBC Radio 4 dramatisations of John Buchan’s espionage thrillers featuring gentleman spy Richard Hannay. The forerunner to James Bond, Secret Agent Richard Hannay is a thoroughly British action hero, pursuing ruthless villains, foiling deadly plans and risking life and limb for his country. This gripping collection encompasses all five of Hannay’s adventures, adapted for radio with superb casts including Tom Baker, Clive Merrison, Stuart Milligan, Jasmine Hyde and Patrick Malahide.

Ready with his black bag, Dr Finlay sets out to remedy all manner of ailments suffered by his patients in the Scottish Highland town of Levenford. In this complete BBC Radio collection, we meet the surprising Dr Finlay as he is welcomed to the practise with a black eye. Over the course of these series the early years of Dr Finlay are explored, as he gets to grips with the locals in the Scottish Highland town of Levenford.

Presented by award-winning children's writer Michael Morpurgo, this genuinely ground-breaking history of British childhood from the year 1000 to the present explores, through a wide and colourful range of primary sources, how the idea of childhood has been constantly reinvented down through the centuries, and why the role of children in society continues to obsess us today. Fascinating and thought-provoking, it will appeal to parents, grandparents, and anyone who has ever been a child.