Résultats pour "Peter Ackroyd" dans Fiction historique

Peter Ackroyd's Hawksmoor was first published in 1985. Alternating between the eighteenth century, when Nicholas Dyer, assistant to Christopher Wren, builds seven London churches that house a terrible secret, and the 1980s, when London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sight of certain old churches, Hawksmoor is a brilliant tale of darkness and shadow.

If your tastes run to Victorian mysteries and murder, you’ll enjoy Peter Ackroyd’s special blending of fact and fiction in this magnificent recreation of the bizarre murders that rocked Victorian England. Drawing on surviving police records and court transcripts, Ackroyd paints a fascinating portrait of a savage murderer, the terror that rippled across London, and the innocent woman charged with the crimes.

When two 19th-century Oxford students - Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley - form an unlikely friendship, the result is a tour de force that could only come from one of the world's most accomplished and prolific authors. This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist.

A superb collection of dramas guaranteed to thrill and entertain from best-selling author Peter Ackroyd. Set in the heart of London, these star-studded adaptations feature parallel investigations into killings across two centuries, black magic, haunted houses, holy ghosts and a stunning performance by Simon Callow as the magnificent Charles Dickens. Novelist, biographer and critic Peter Ackroyd has cemented his place at the heart of the culture and history of London. This fantastic collection is full of vitality from a world-class author and stellar cast.

Three Brothers follows the fortunes of Harry, Daniel and Sam Hanway, born on a post-war council estate in Camden Town. Marked out from the start by curious coincidence, each boy is forced to make his own way in the world – a world of dodgy deals and big business, of criminal gangs and crooked landlords, of newspaper magnates, back-biters and petty thieves. London is the backdrop and the connecting fabric of these three lives, reinforcing Ackroyd’s grand theme that place and history create, surround and engulf us.

Sophia Chrysanthis is in her 20s when the celebrated German archaeologist, Herr Obermann, seeks her out; he wants a Greek bride who is able to read Homer. Sophia passes his test, and soon she is tying canvas sacking to her legs so that she can kneel on the hard ground in the trench. Obermann is very good in the art of archaeology - perhaps too good. Obsessive and intuitive, he is a romantic visionary.