Smaller audition books are all the rage! Who has time to shuffle through 30 songs that haven't been touched since senior recital to find the perfect audition piece? Focusing on who YOU are as a person and artist will help you find the best material - you will SHINE!

Join Margo and Delano as they discuss ways to build an efficient, concise, and compelling audition book that shows the best of you.

You'll be on your way to building the perfect book, and we'll be sipping our tea!

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Let's get in the weeds. How do we help the ensemble discover and portray the story behind the pitches on the page? Teaching notes alone isn't enough. Our duty is to develop and arm our casts with as many tools as we can to empower them to go further. That starts with US.

Some useful ideas, tools, and food for thought coming your way. It's tea time.

Most music directors GUSH over a tight, clean ensemble sound. So what goes into making that happen? Before we get in the weeds over the technical aspects of teaching and directing the ensemble, we gotta talk about leadership. We work with humans, not machines, and that should be the heart of everything we do.

Have a seat, grab some tea, and let's chat.

Let's BELT. Or, maybe not? Should I belt this song? Do I need to belt in every audition? We're in an age where musical theatre continues to be written higher and higher, and they want it LOUD. So, does that mean we need to belt everything? There is nuance, and we're here to spill the tea.

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We want actors to SUCCEED! Auditioning can be scary, we know. Listen as we uncover some of the most common mistakes we see actors make and provide strategies to improve them. Don't worry, we also share our most embarrassing audition moments. Subscribe to the pod to stay up to date with our latest episodes!