Back home in Melbourne, Andy talks you through the writing of Another Sunny Day, the first song on his new album 'This garden is only temporary'. He plays some of the original recordings, most of which made it to the final version, and talks about some of the earliest inspirations for the song and his early plans for the direction of the album.

The interview where Tony Visconti analyses the master tape of 'Heroes' is here and the songs Andy mentions from his own catalogue are The Pale Moonlight, If You Want It, COWP, and James Joyce's Grave.

You can hear the full version of Another Sunny Day and listen or download the whole album on Andy's Bandcamp.

Please subscribe to here or wherever you get your podcasts and the next episode will appear as if by magic.

Andy's albums are available on Bandcamp or www.andywhite.com

Podcast artwork: Sebi White

Andy talks you through the writing of Tell It How You Feel, the second song on his new album 'This garden is only temporary'. He plays some of the original recordings, most of which made it to the final version, and lets you in on some of the earliest inspirations for the song.

Some of the songs Andy mentions are Metal Guru, Sweet Jane and You Never Can Tell. You can listen to Rod's standout piano work with Andy on all of the early albums—check out Street Scenes From My Heart—and One In A Million from Time is a Buffalo in the Art of War is quite a journey.

You can hear the full version of Tell It How You Feel and listen or download the whole album on Andy's Bandcamp.

Please subscribe to here or wherever you get your podcasts and the next episode will appear as if by magic.

Andy's albums are available on Bandcamp or www.andywhite.com

The white vinyl version of Rave on is available on Andy's Bandcamp or from Last Night From Glasgow:

https://shop.lastnightfromglasgow.com/products/andy-white-rave-on

Podcast artwork: Sebi White

Andy's albums are available on Bandcamp or www.andywhite.com

Podcast artwork: Sebi White

In this episode Andy takes a deep dive into the writing and recording of the third track on his new album This garden is only temporary. He's been in the studio with the master tape, and shows you how this many-layered song was written and recorded by playing excerpts of the individual instrument and vocal tracks.

Andy talks about layering, using effects, inspiration from John Leckie, how simple melodies and chords can work together and, above all, telling the truth when you are expressing something that is important to you. Did we forget the bass pedals? Yes, and bass pedals.

At the end of the first day of writing and recording, the song was ready. Later, Kent, Steve, and Rod took the story even further, but this episode ends with the first version of Everything's Turning White, recorded in four hours. As Andy says, "It has power, because it's true."

We're not even half way in, but I hope you're finding part of the album's charm is a combination of spontaneity and attention to detail. Thanks for listening. If you're enjoying the series, please share—and subscribe wherever you find your podcasts.

Andy's albums are available on Bandcamp or www.andywhite.com

Podcast artwork: Sebi White

It's becoming clearer – this podcast is about the elements that go together to make an album! This week, Andy is talking about dreams and expectations, writing about somewhere he knows well—his hometown of Belfast—from an unexpected point of view. He discusses travelling in dreams, compares songs to dreaming, and discusses how it can be possible to 'make things right' by writing about it.

As the layers that go to make up Get it Right This Time are unpeeled, you'll hear isolated mixes from the master recordings. The episode ends with the original version of the song from Andy's studio.

The earlier songs Andy mentions are Birds of Passage and The Walking Wounded, and the albums he talks about are Rave on Andy White and Out There. London Calling is here. You can find the released version of Get it Right This Time and stream, download or order Andy's new album 'This garden is only temporary' on Bandcamp.

There are many ways to start writing a song or an album, hopefully this will give you some ideas. "Use what you listen to, do it your own way. It's got your fingerprint on it as soon as you do it. That's how tradition works, that's how music and writing works".

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Andy's albums are available on Bandcamp or www.andywhite.com

The white vinyl version of Rave on is available on Andy's Bandcamp or from Last Night From Glasgow:

https://shop.lastnightfromglasgow.com/products/andy-white-rave-on

Podcast artwork: Sebi White

This week's episode is about writing a different kind of love song, because your own story is not like anyone else's. Making it real. Andy discusses Leonard Cohen, Janice Long, metaphors, similes, and admits how annoying it is when he talks over the music.

Andy has gone into the original master recordings of Not so Far Away and you'll hear a mellotron, guitar lines, and a glockenspiel you haven't heard before. Did you spot the Marvin Gaye line on the finished album? The older songs he mentions are Vision of You and You and Your Blue Skies.

"If you're looking for something, it's maybe closer than you think it is."

You can find the released version of Not so Far Away and stream, download or order Andy's new album 'This garden is only temporary' on Bandcamp, where all proceeds from Fire Engines, Blue Trains and Trucks, and the album it comes from, Time is a Buffalo, will go to the Ukrainian Red Cross.

Please subscribe and share, thanks for your support!

Andy's albums are available on Bandcamp or www.andywhite.com

Podcast artwork: Sebi White

Poets on the phone, Jim Morrison shopping for trousers, webless spiders, major/minor changes and so much simile content. Andy takes us on the rollercoaster ride of writing and recording I Miss You, the sixth song on his new album This garden is only temporary.

"I wanted to send someone a message without it being an email or electronic. I wanted to say I miss you."

Andy talks about songs from Time is a Buffalo in the Art of War and its title. Other songs he mentions are Riders on the Storm, Sweet Gene Vincent and Be Bop a Lula. Keeping songs under three minutes, more on bridges, perfect rhymes and tartan. Not forgetting a digression on past lives.

You'll hear the original recordings and a mix you haven't heard before. Andy hopes the series is becoming an inspiration for you to write or record.

"This song says something real without relying on an outcome. When you're making a record, have fun. It's a good idea."

Please share and subscribe wherever you find your podcasts. Thanks for your support!

Andy's albums are available on Bandcamp or www.andywhite.com

Podcast artwork: Sebi White

Most songs take their cue from visual imagery or emotions. Sometimes hearing and touch are mentioned. Take Me Back Home was started when Andy rolled down the window of his out-of-action car one hot Melbourne night and smelt French pancakes cooking in the bar across the road. In this week's episode he discusses how this took him back to another time and place. To teenage photographs, punk guitar and his piano-playing grandmother. Tom Waits and Marcel Proust are mentioned.

You'll hear excerpts from the master recordings, Amy the goat, and the episode ends with a different mix of Take Me Back Home from the one on Andy's new album This garden is only temporary.

We're seven songs in, with only a couple to go. If you're new to the podcast - welcome! Catch up when you can, and please share and subscribe. If you do so, the next episode will appear as if by magic in your podcast feed. Thanks everyone!

Andy's albums are available on Bandcamp or www.andywhite.com

Podcast artwork: Sebi White