Ellen Adair and Eric Gilde discuss the 1987 baseball film "Long Gone." They introduce the film (1:10), with an overview of the story, the cast, and filmmakers, and review the 20-80 baseball scouting grades for rating the film, with a new metaphor (7:10). Amount of Baseball (11:43) praises the substance and variety of the baseball scenes, with their good emphasis on defense and attention to detail. Baseball Accuracy (21:13) bemoans the lack of acknowledgement for Cecil Cantrell as the Shohei Ohtani player manager of the Alabama-Florida league. Other things about the Class D Alabama-Florida league are correct, except the existence of the Dothan Cardinals in 1957, and the Browns spring training in 1946. Do pitchers ever become catchers? A historic dive into Smoky Joe Wood, Bob Feller, and the possibility of Stud Cantrell and Stan Musial coming up together. There are both mathematical and factual problems with the number of games that the Class D League played, and Brown's RBI total (w/r/t Hack Wilson record). Joe Lewis Brown resonances with Joe Lewis, Jackie Robinson, and Jack Johnson. This movie has appropriate disdain for the intentional walk, but falls victim to a common baseball film error. A rare corresponding roster move doesn't quite pan out. Storytelling (57:55) comments on the skillful exposition and braiding of human and baseball storytelling, along with growth for the major characters, and the classical comedy double wedding ending. Did the Cardinals sign off on this? Delicacy of dealing with racial issues in a comedy. What do they have on Stud? Why wreck the car? Plus other unanswered questions. The Score Tool (1:26:36) suffers from the problem of an 80s score in a movie about the 50s. Eric dives in on Hank Williams' "Long Gone," and the hymns in the film. Acting (1:35:07) discusses the performances of Virginia Madsen, William Petersen, Larry Riley, Dermot Mulroney, Henry Gibson, Teller, Robert Easton, Edward Blatchford, and Ronn Allen. Delightfulness of Catcher (1:45:53) assesses the superb Joe Lewis Brown, played by Larry Riley. Delightfulness of Announcer (1:47:14) is non-zero. Lack of Misogyny (1:48:25) considers the misogyny displayed in the actions and words of Stud Cantrell, and, to a lesser extent, Jamie, as balanced with their growth. Some examination of the film's attitude towards Dixie, and her Boxxstory/backstory. No spoilers on the following segments: Yes or No (1:59:04), Six Degrees of Baseball (2:04:00), Favorite Moment (2:05:41) Least Favorite Moment (2:07:14), Scene We Would Have Liked to See (2:10:08), Dreamiest Player (2:11:39), Favorite Performance (2:12:32), and Next Time (2:14:50).

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Ellen Adair and Eric Gilde discuss the 1958 baseball movie musical, "Damn Yankees." They introduce the film (1:10), with an overview of the story, the cast, and filmmakers, and review the 20-80 baseball scouting grades for rating the film, with a new metaphor (6:57). Quick promos for "Cryptid" and the podcast "Sometimes it Rains" (13:47). Amount of Baseball (16:09) is helped by early baseball and a good montage, but there's not a ton here. Baseball Accuracy (23:15) kicks off with some debate on the central premise and impact on score, umpire razzing, and Joe's inconsistent baseball opinions. Does Shoeless Joe Jackson exist in the world of this film? Some Kansas City baseball timeline problems, the six months out of every year fallacy, and goulash vs. Willie Mays. They dive in on Carlos Paula, Angel Scull, Joe Black,the integration of the Washington Senators, and a brief racial history anecdote with the Twins. A Washington Senators overview and look at pennant-less droughts throughout baseball history. How often do you need to hit a homer to save a losing ball club, w/r/t the 1957 Senators pitching rotation. Accuracy in the song "Heart," plus newspaper accuracy. Storytelling (1:01:21) dives in on the confusing terms of the deal with the devil, and who Joe Hardy actually is. "Who's Got the Pain?" These scouts, I guess. They also discuss Joe Hardy's HOF case, games missed in the storytelling, problems with singing a song and writing a letter simultaneously, and songs removed and added from the Broadway version. How old is Lola? How superb is Gwen Verdon in "Whatever Lola Wants"? They wrap up with "Two Lost Souls," Sister Miller's name, the costume design, Mr. Applegate's particular scope of power, and the flatness of the cinematography. The Score Tool (1:42:20) considers the tunes and scoring of Richard Adler and Jerry Ross. Acting (1:44:00) discusses chiefly the performances of Tab Hunter, Gwen Verdon, Ray Walston and Jean Stapleton, with some discussion of the ensemble and the impact of the cast carrying over from the Broadway run. Delightfulness of Catcher (1:50:19) assesses the character of Smokey, played by Nathaniel Frey. Delightfulness of Announcer (1:53:42) sees a short debate on its existence. Lack of Misogyny (1:55:34) considers wives singing about their husbands' obsessions with baseball as they wait around to be noticed, undermining Sister Miller's baseball fandom, and 1001 issues with "Goodbye Old Girl" and "Empty Chair." There are Misogyny issues with Gloria and Applegate, too. Marie Antoinette injustice. They wrap up with the missing songs' impact on this tool, and Joe and Meg's reunion. No spoilers on the following segments: Yes or No (2:17:20), Six Degrees of Baseball (2:22:00), Favorite Moment (2:24:26) Least Favorite Moment (2:26:20), Scene We Would Have Liked to See (2:28:22), Dreamiest Player (2:30:27), Favorite Performance (2:31:10), and Next Time (2:33:06).

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Ellen Adair and Eric Gilde discuss the 2002 family film, "Air Bud: Seventh Inning Fetch," and all of its ramifications, grading it on the 20-80 scouting scale. This is Ellen's favorite episode that Ellen + Eric ever did. They introduce the film (1:05), with an overview of the story, cast, and director. If you're just joining, a review the 20-80 baseball scouting grades for rating the film (7:09). Then, they grade "Air Bud" on Amount of Baseball (16:25), Baseball Accuracy (24:19), Storytelling (55:22), Score (1:43:16); Acting (1:49:28); Delightfulness of Catcher Character (1:54:28), Delightfulness of Announcer (1:56:29), and Lack of Misogyny (2:02:56). No spoilers on the following segments: Yes or No (2:12:03), Six Degrees of Baseball (2:15:05), Favorite Moment (2:15:45), Least Favorite Moment (2:18:57), Scene You’d Like To See (2:20:12), Dreamiest Player (2:24:03), Favorite Performance (2:25:41) and Next Time (2:28:32).

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