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Mono Noir

Mono Noir

By: MaTeZZ
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Crime, mystery, and noir stories told through immersive radio drama. Mono Noir combines dialogue, music, and sound effects to bring its stories to life. Writing, voices, music, sound effects, and artwork are created using AI tools, with human listening, review, and revision shaping the finished episodes. Story pages and full transcripts: https://matezz.com© 2026 matezz.com Art Drama & Plays Entertainment & Performing Arts
Episodes
  • Plated, Of No Value · Vienna Files — Detective Radio Drama
    30 Oct 2026

    This radio drama uses AI-generated writing, voices, music, sound effects and artwork. All spoken performances in this edition use ElevenLabs V4.

    In the Vienna rain a woman finds her mother's Sabbath candlesticks on a market stall: silver that left her family's flat on a train which the Americans now hold under guard. The stallholder will say only that Vienna sells and she holds the scales. Who sold her the silver?

    🎧 Full episode of Vienna Files: a post-war detective radio drama set in occupied Vienna, an audio mystery performed by a full cast.

    Listen as a podcast, with full transcripts: https://mono-noir.transistor.fm/

    Stories, transcripts and the schedule: https://matezz.com

    🎭 Directed Edition — every role cast for this story and every line performed with full voice direction.

    Vienna, the autumn of 1945. Ilona Vámos, soaked by the rain, climbs the mezzanine stair to the detective August Brenner's rooms off the Herrengasse, where the narrator, Dr. Fuchs, offers her a chair she will not take. On a stall at the Tannenmarkt she has found her mother's Sabbath candlesticks, a silver pair, the left one dented by her brother when he was five, and the stallholder, Marie, will not give them back. Men with armbands wrote the family's things into a ledger in their flat and sent them away on a train: the amber train, people call it now, the one the Americans caught and now hold under guard. Somebody carried the silver here, Brenner says. At the last stall in a lane where the city sells its grandmothers' things for bread, Marie rings the silver with a fingernail, asks three cartons of American cigarettes for the pair, and will say only that Vienna sells and she holds the scales. Brenner fetches Inspector Lang, who seizes the candlesticks as stolen goods and draws him aside: the Americans have filed a list with the police of train goods drawn out to furnish billets in Vienna, one lot only, two crates, to a captain in Döbling. Then Ilona asks to hold one of the candlesticks, and underneath something is cut into the silver. That evening the tall house in Döbling shows Brenner and the doctor its caretaker, Frau Radakowitsch, who has black under her nails and says she never goes near the Tannenmarkt, and Captain Pruett, who shows them the chit that sets the whole lot down as plated, of no value. Seven tenants have cellar keys, the crates sit in an open cellar, and nobody would report a piece missing from a lot written off as worthless. Brenner has a dented candlestick, a lane of other people's belongings and no seller's name. Who is selling the silver of the amber train?

    From the series Vienna Files: a real Austrian crime reimagined as a post-war noir radio mystery, performed by a full multi-voice AI cast with an original score and sound design.

    Loosely inspired by a real Austrian case of the 1940s. All names, characters, dialogue and events are fictional; the words, actions, motives and private lives of every character — including the survivors and their families, the market traders, the caretakers and tenants of a Vienna house, the officers, supply staff and guards of the occupying forces, the investigators and the police — are invented for drama, and so is the solution of the mystery. Where a real city, state, public body or newspaper is mentioned, its part in this story is invented; the market, the house and the offices named in it are invented too. This is a work of fiction, not a factual account of any real person or institution. No real person is portrayed, and no real individual, company or organisation is accused of any act shown here.

    Setting: Vienna — autumn 1945.

    Writer v2.7 — the studio's newest writing process: the plot is planned and checked by an AI story editor, then each act is drafted with the whole story in view and edited before a word is voiced — and then cast and performed with our new casting and voice direction.

    Chapters:
    0:00 Up the Mezzanine Stair in the Rain
    1:36 A Rain-Soaked Lane and the Last Stall
    3:23 Inspector Lang Fetched Through the Downpour
    5:23 A Borrowed Address in Döbling
    7:37 A Telegram Read Twice at the Schottenring
    8:53 The Market at Its Busiest Hour
    10:51 An Afternoon Call Upstairs in Döbling
    12:33 Notes Spread Across Brenner's Desk
    13:55 Back to Döbling With Ilona
    15:41 An Unannounced Caller at the Schottenring
    17:12 Carbolic, Wet Wool and a Market Shawl
    18:56 The Four of Us Among the Drips
    21:09 The Döbling Stair in the Dark
    22:24 A Whole Procession at a Lamp-Lit Door
    24:29 Lang Opens His Briefcase
    26:11 Up the Dark Stair, Two Steps at a Time

    #MonoNoirRadioDrama #NoirMystery #AudioDrama

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    29 min
  • Around the World in Eighty Days, Part 11: The Eightieth Day · Jules Verne — Mono Noir Classics
    29 Oct 2026

    THE CLASSIC, FULLY DRAMATIZED. Part 11 of 11: The Eightieth Day. Jules Verne's Around the World in Eighty Days in a new English translation made for this production directly from Verne's French, acted by a full cast with music and sound.

    The last days of the wager: a steamer running out of coal, a landing at Liverpool where a certain detective has waited for his moment, a train to London, and a clock at the Reform Club. It is shown that Phileas Fogg gained nothing by his tour around the world, unless it were happiness.

    In this part:
    0:00 Introduction
    0:50 Chapter XXXIII: In which Phileas Fogg shows himself equal to the occasion
    10:30 Chapter XXXIV: Which gives Passepartout the chance to make an atrocious pun, though perhaps a new...
    18:25 Chapter XXXV: In which Passepartout does not need to be told twice to do what his master bids him
    30:08 Chapter XXXVI: In which Phileas Fogg is once more at a premium on the market
    38:34 Chapter XXXVII: In which it is proved that Phileas Fogg gained nothing by this tour of the world,...

    Listen in order: this is Part 11 of 11. This is the last part of the book.

    Jules Verne's novel, complete and in order, in our own English translation from his French (Le Tour du monde en quatre-vingts jours, 1872-73), made by Mono Noir with AI assistance. A few words of period language that are unkind to the peoples they describe are softened; Verne's own slips of fact and arithmetic are left as he wrote them.

    This audio drama uses an AI-assisted English translation, AI-generated voices, music, sound effects and artwork. All spoken performances in this edition use ElevenLabs V4.

    The complete eight-hour audiobook, with all 37 chapters, is on YouTube: https://www.youtube.com/watch?v=XJEW7-CDeu8 (this part starts at 7:11:01). Read along with the full text of every part at https://matezz.com/classics/around-the-world-in-eighty-days/

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    46 min
  • Around the World in Eighty Days, Part 10: Sails on the Snow · Jules Verne — Mono Noir Classics
    29 Oct 2026

    THE CLASSIC, FULLY DRAMATIZED. Part 10 of 11: Sails on the Snow. Jules Verne's Around the World in Eighty Days in a new English translation made for this production directly from Verne's French, acted by a full cast with music and sound.

    At a snowbound station on the plains two people wait for news of a rescue party, one of them a detective who no longer knows what he wants. Then the great race east: a sledge with a sail running over the frozen prairie, Chicago, New York, and the harbour, where the liner for Liverpool has left forty-five minutes before. Mr. Fogg, who never improvises, improvises.

    In this part:
    0:00 Introduction
    0:55 Chapter XXX: In which Phileas Fogg simply does his duty
    12:19 Chapter XXXI: In which Inspector Fix takes the interests of Phileas Fogg very seriously
    26:19 Chapter XXXII: In which Phileas Fogg engages in a direct struggle against ill luck
    35:18 Chapter XXXIII: In which Phileas Fogg shows himself equal to the occasion

    Listen in order: this is Part 10 of 11. Next: Part 11, The Eightieth Day.

    Jules Verne's novel, complete and in order, in our own English translation from his French (Le Tour du monde en quatre-vingts jours, 1872-73), made by Mono Noir with AI assistance. A few words of period language that are unkind to the peoples they describe are softened; Verne's own slips of fact and arithmetic are left as he wrote them.

    This audio drama uses an AI-assisted English translation, AI-generated voices, music, sound effects and artwork. All spoken performances in this edition use ElevenLabs V4.

    The complete eight-hour audiobook, with all 37 chapters, is on YouTube: https://www.youtube.com/watch?v=XJEW7-CDeu8 (this part starts at 6:27:19). Read along with the full text of every part at https://matezz.com/classics/around-the-world-in-eighty-days/

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    45 min
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