The Ghostbusters are back, cleaning up the town! The gang is all here: Ray, Winston, Venkman, Janine…Pheobe, Callie, Trevor, Gary, Lucky…uh, Podcast. Postcast is here. Walter Peck. Oh! The library administrator. You remember the library administrator, he's the guy that says "what has that got to do with it?" Classic.

Yes, it's a nostalgia romp like no other, which makes it oh so hard to believe it didn't work out, doesn't it? But, if there's anyone who can uncross the streams, it's the I Have Some Notes crew.

Listen in to our final (probably) Ghostbusters episode!

We watched a ton of GOOD movies in 2025, and we're going to talk about them! That's right, we do, on occasion, watch films that don't stink and don't require page one rewrites. We sat down for our annual chat about the most engaging and inspiring movies we saw in the last 12 months. Enjoy!

For those who like to skip around, here's the time stamps for the episode:

• 00:04:38 – 28 Years Later
• 00:11:17 – Black Bag
• 00:16:10 – Bugonia
• 00:23:00 – Frankenstein
• 00:28:23 – It Was Just an Accident
• 00:32:00 – The Naked Gun
• 00:38:27 – One Battle After Another
• 00:44:27 – Sinners
• 00:49:43 – Superman
• 01 :01:46 – Universal Language
• 01:10:57 – Wake Up Dead Man
• 01:17:39 – Weapons
• 01:25:18 – Listener Comments

Everyone has wanted to see Santa do a Diehard, right? Of course! He's the most wholesome, selfless mythical character we've got, and we want to see him kill people. YAY, violence! Boo, children!

Violent Night is a solid romp, but doesn't quite hit the satirical notes it needs to become a classic. We pluck on the film's heart strings to maximize the fun in contrasting holiday cheer with righteous violence. As previously mentioned this is our last episode of 2025. Thanks so much for sticking with us for another year, we're blessed to have such a smart, witty community of armchair screenwriters. Take care of yourselves over the holidays, and we'll see you again soon in 2026!

I.S.S. has all the modules necessary for an epic sci-fi thriller, but if we're reviewing it you already know it doesn't all fit together as intended. We explore the possibility of a few deft edits and key moments that could makes this cold war allegory much more explosive.

We were all set to perform our usual punch-up on the 1983 cult classic Deathstalker, when we hit a snag: the movie sucked. And not in the typical way movies we watch for the show suck. Completely devoid of plot and characters of any notable intrigue, we decided to do something a little different.

As it turned out, an excellent Deathstalker remake was a week away from release, making our punch-up rather redundant when the real thing was about to hit VOD. Instead, we decided to spend the episode comparing and contrasting two B-movies with the same name but very different levels of success. Trigger Warning: This episode discusses sexual violence. If you'd prefer to avoid this portion of the episode skip to 00:35:41.

Final Reckoning may not end up being Ethan Hunts's last appearance, but as far as we're concerned, it's mission complete. There's only so much of the mega star's God complex we can take. Tom Cruise will just have to live without our Monday morning screenwriting, not that the blockbuster deity was asking.

On the plus side, David Rae from Quantum Kickflip returns to accept this last impossible mission. Or at least it seemed that way, until Scott fixed the film in virtually one sentence. How? You'll have to hit play to find out!

This week we foist our brand of armchair screenwriting upon a slice of Canadiana, our country’s very first animated feature film, Rock & Rule. And how did that go for Canada? Well, we believe after making $38,000 at the box office 42 years ago it’s really gaining momentum.

Joining us is a rock star in his own right, JP Fournier of The Movie Jerks. Together we break down this interestingly flawed feature, workshopping how we could bring depth to the characters and add a whole lot more music to this “rock opera”.

The Merriam-Webster dictionary defines hubris (ˈhyü-brəs) as "exaggerated pride or self-confidence." After 11 seasons of "fixing" films written by professional screenwriters, we have finally amassed enough exaggerated self-confidence to scribble red ink all over one of the greatest writer/directors of all time: Alfred Hitchcock. Are we humbled by the task? NO! It's pats on the back all around as we rework a new pitch for The Birds.