Beyond is sponsored by The Malone Society: The permanent utility of original texts

And Scene! This is random scene from Fair Em, the Miller’s Daughter of Manchester by the Unknown, though recently attributed to Thomas Kyd – make of that what you will. It was recorded live at our Winter Revels season on Thursday 14th December 2023. It is a dialogue between the Miller, with his daughter Fair Em, about this cruel and unforgiving world.
With Roel Fox as the Miller, and Emma Kemp as Fair Em.

For more from the play, go to our Exploring Sessions!

Our patrons received the scene within this episode in January 2024 - over 2 years early!
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg’s edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan’s edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary’s The Tragedy of Mariam.
Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.
In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.
The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original texts

It's finally here, the full cast audio adaptation of Dido, Queen of Carthage by Christopher Marlowe and Thomas Nashe* It was recorded live, so there are some technical issues, but otherwise it has mixed reasonably well. There are some minor cuts, but we have endeavoured to retain most of the text.

Sojourner Hazelwood-Connell – Dido
Kit McGuire – Aeneas
Karim Kronfli - Iarbus
Alex Kapila - Anna
Pamela Flanagan - Ascanius
Lynsey Beauchamp - Ilioneus
Sarah Blake - Venus / Nurse
Keith Hill - Jupiter / Achates
Alexandra Kataigida - Cloanthus
Emma Kemp - Cupid
Liza Graham - Juno / Hermes
Simon Nader - Sergestus / Lord
Ganymede - Robert Crighton

Music by Roel Fox
Technical operator for the live show was Valentina Vinci
Produced by Robert Crighton

The play was recorded live at The White Bear Theatre on Tuesday 12th December 2023.
If you’d like more on this play, there are exploring sessions galore on the YouTube.
All our rehearsals, dress run, and rough live mix are on the patreon feed from £5 tier or above.

CW: Discussion of war trauma, deaths, and graphic descriptions of injury detail, issues of consent, racialised language, multiple suicides, fire.

*That's what it says on the title page, discuss in your own time.

Our patrons received this episode in January 2025 - 1 month early!
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg’s edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan’s edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary’s The Tragedy of Mariam.
Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.
In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.
The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

Beyond is sponsored by The Malone Society: The permanent utility of original texts

Because we thought you just didn't have enough on A Game at Chess from this podcast, here's a chat about a staged reading of A Game at Chess with Annie Charlton and Elizabeth Elsworth of York S********** Project.
You can find out more about their work at https://www.yorkshakespeareproject.org/
For anyone interested in forthcoming events, but also in opportunities for acting, directing or backstaging, sign up to their mailing list: http://eepurl.com/DrIJ

For any general enquiries: info@yorkshakespeareproject.org and can be found on Facebook and Instagram

A Game at Chess - additional materials from us...
YouTube playlist of readings of the play.
Podcast playlist on the play.
Patreon box set of this show.
The Legacy of Thomas Middleton discussing episode.
Webpage covering the play.

Our patrons received a rough mix of this episode in January 2025 - a month in advance.
The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org
You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ
The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg’s edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan’s edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary’s The Tragedy of Mariam.
Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.
In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.
The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.