Nineteenth century America was awash with diabolical imagery. It was everywhere. It was used to link the Devil to everything from immigrants to abortion, the Catholic Church, Native Americans, and even outspoken women, so it can’t be a surprise to learn that it was also used to describe some of the most bloodthirsty killers of the day.

For anyone who might think that deviant sex murderers and serial killers are monsters of modern times, then let me introduce you to the Joseph Lapage, one of the most depraved killers that you’ve likely never heard of.

Lapage was a sexual psychopath and fit the modern definition of the classic lust killer, but his contemporaries described him in less clinical terms. They called him a “fiend incarnate” and more commonly, a “demon of the bottomless pit.”

For the people of the era, it was nearly impossible to believe that a human being could be capable of the things that Lapage did. Such acts, they insisted, could only be carried out by a servant of the Devil -- a monster that could have come only from hell.

And perhaps they were right.

Young Brooklyn thug Al Capone took a cab to Coney Island. As he traveled down Ocean Parkway, he wasn’t surprised to see people practically living on the sidewalks, trying to get a breath of fresh air. He sat in the back seat, enjoying the light breeze from the open windows, on his way to the Harvard Inn, a club that belonged to Capone’s employer, gangster Frankie Yale. It wasn’t much of a job – just a glorified bouncer – but he saw it as a way to work himself up to someday making dough for himself. “SCARFACE” they called him, but they never used the moniker in front of him. No matter who you were, if Capone heard it, there was a good chance that you’d end up dead.

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This episode was written by Troy Taylor

Produced and edited by Cody Beck

When the headless body of a pregnant young woman was found across the Ohio River from Cincinnati in 1896, the shock of the discovery was felt far beyond the region. As the story of the young woman was revealed, it became a crime that was tailor-made for the popular culture of the era. The horror of the crime, its characters, and its cause created a melodrama that could only be found in pulp novels -– a villain deflowers a pretty young girl and then murders her to cover up her unplanned pregnancy so that he can continue to live a life of debauchery.

Such a tragedy understandably resonated with the public, prompting stories, legends, and even a folk ballad. You see, this tale became a warning to young women of the era to practice chastity and to avoid the mortal sin of abortion, a crime so heinous, religious figures claimed, that the Devil himself had a hand in in its continued existence.