#75 – The Third Man
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#75 – The Third Man
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Jon and Andy find themselves in a dither over Anton Karas' zither score for the 1949 noir classic The Third Man. Does this music perfectly capture the particular pathos of post-War Vienna, or is it silly and obviously wrong? How did the opportunity of a lifetime fall into Karas' lap? And, seriously though, what's the deal with this music?
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