When Death Takes Something From You Give It Back
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Katherine Manners
In March 2015, Naja Marie Aidt's 25-year-old son, Carl, died in a tragic accident.
When Death Takes Something From You Give It Back is about losing a child. It is about formulating a vocabulary to express the deepest kind of pain. And it's about finding a way to write about a reality invaded by grief, lessened by loss.
Faced with the sudden emptiness of language, Naja finds solace in the anguish of Joan Didion, Nick Cave, C.S. Lewis, Mallarmé, Plato and other writers who have suffered the deadening impact of loss. Their torment suffuses with her own as Naja wrestles with words and contests their capacity to speak for the depths of her sorrow.
This palimpsest of mourning enables Naja to turn over the pathetic, precious transience of existence and articulates her greatest fear: to forget. The insistent compulsion to reconstruct the harrowing aftermath of Carl's death keeps him painfully present, while fragmented memories, journal entries and poetry inch her closer to piecing Carl's life together.
Intensely moving and quietly devastating, this is what is it to be a family, what it is to love and lose, and what it is to treasure life in spite of death's indomitable resolve.
(P)2019 Quercus Editions Limited©2019 Naja Marie Aidt
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Commentaires
Naja Marie Aidt's shattering elegy about her grown son's death is a modern Greek tragedy-and a relentless account of grief's deepest reality.
Naja Marie Aidt's book on the loss of her son is a genuine and unbearable masterwork. ...[Her writing] about death, grief and the indescribable consequences make up this incredibly good book. I wish Aidt never had to write about this endless nightmare, indeed, one of its most important points is that grief never goes away. And yet, we now have a book without illusions, a merciless and insistent depiction of how deeply death reaches into the body and soul. Aidt has rendered a convincing reconstruction of the depths of grief.
An immense work of art ... an extremely beautiful and shockingly sorrowful work and a declaration of love's communality. One of the most painful and paradoxically one of the most beautiful books I have ever read...
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