A collection of short stories, The Bloody Chamber and Other Stories was first published in 1979 and awarded the Cheltenham Festival Literary Prize. This Audible exclusive adaptation is narrated by legendary actors, Richard Armitage and Emilia Fox, who take on different chapters of the audiobook. Among these are 'The Bloody Chamber', 'The Courtship of Mr Lyon', 'The Tiger's Bride', 'Puss in Boots', 'The Erl-King', 'The Snow Child', 'The Lady of the House of Love', 'The Werewolf' and 'Wolf-Alice'.

After a violent coup in the United States overthrows the Constitution and ushers in a new government regime, the Republic of Gilead imposes subservient roles on all women. Offred, now a Handmaid tasked with the singular role of procreation in the childless household of the enigmatic Commander and his bitter wife, can remember a time when she lived with her husband and daughter and had a job, before she lost everything, even her own name.

Bill Unwin, an academic of dubious status, has never recovered from the death of his famous actress wife and is now convalescing from a recent brush with his own mortality. He has two tales to tell. One, spanning postwar Paris, 1950s Soho and contemporary sexual and scholarly entanglements, surveys the muddle of his own life. The other, drawn from the notebooks of a Victorian ancestor, is the very different story of Matthew Pearce, a serious-minded man whose happiness is destroyed by his compulsive search for truth. 

The effortless virtuosity, directness, drama and humanity of Carol Ann Duffy's verse have made her our most admired and best-loved contemporary poet. Rapture, her seventh collection, is an audiobook-length love poem and a moving act of personal testimony; but what sets these poems apart from other treatments of the subject is that Duffy refuses to simplify the contradictions of love and read its transformations - infatuation, longing, passion, commitment, rancour, separation and grief - as simply redemptive or destructive.

Bri wants to be one of the greatest rappers of all time. As the daughter of an underground hip-hop legend who died right before he hit big, Bri’s got massive shoes to fill. But when her first song goes viral for all the wrong reasons, Bri finds herself at the centre of controversy and portrayed by the media as more menace than MC. And with an eviction notice staring her family down, Bri no longer just wants to make it - she has to. Even if it means becoming the very thing the public has made her out to be.

On the 75th anniversary of its publication, this outstanding work of literature is more crucial and relevant today than ever before. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A. F. (After Ford, the deity).

Big Brother is watching you.... 1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party’s power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party’s department for propaganda, Winston Smith’s job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair.

Fiona Maye is a leading High Court judge, presiding over cases in the family court. She is renowned for her fierce intelligence, exactitude and sensitivity. But her professional success belies private sorrow and domestic strife. There is the lingering regret of her childlessness, and now her marriage of 30 years is in crisis. At the same time, she is called on to try an urgent case: for religious reasons, a beautiful 17-year-old boy, Adam, is refusing the medical treatment that could save his life, and his devout parents share his wishes. Time is running out.

Organisé en deux temps que sépare le "tombeau", comme l'écrit Hugo dans sa préface, ce recueil évoque les figures aimées et disparues, notamment celle de Léopoldine, sa fille morte noyée le 4 septembre 1843. Cette date revient comme un motif tragique tout au long du livre IV, "Pauca meae."

C'est en 1833 qu'Honoré de Balzac écrit "La duchesse de Langeais". A la base de ce roman, le désir de se venger de la marquise de Castries dont il était amoureux et qui l'avait joué. Dans cette transmutation de la réalité en fiction, l'idée de vengeance se perd, et s'élève un chant qui porte l'amour au-delà des règles communes.