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The Silver Swan

A Novel

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The Silver Swan

By: John Banville
Narrated by: Timothy Dalton
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In the second book of John Banville’s masterful Quirke series, a faked suicide ensnares the pathologist in a deadly web of cons and deceit

It has been two years since the events of Christine Falls, the bestselling novel that introduced the world to irascible Dublin pathologist Quirke. Quirke's beloved Sarah has died, his surrogate father lies paralyzed by a stroke, and he's been sober for half a year. When a near-forgotten acquaintance asks him to cover up his beautiful young wife's apparent suicide, Quirke knows he should stay clear, for the sake of his sobriety and his peace of mind. But his old itch is irresistible, and before long he is probing further into the circumstances of Deirdre Hunt's death, into a web of drugs and illicit sex that may have snared his own daughter, Phoebe. With its vivid, intense evocation of seedy 1950s Dublin, and intricate, psychologically complex storyline, The Silver Swan shows “the Irish master” (The New Yorker) at the top of his game.

A Macmillan Audio production from Henry Holt and Co.

Crime Fiction Historical Modern Detectives Mystery Noir Suspense Thriller & Suspense World Literature
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Continue the series

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A Death in Summer By: John Banville, and more
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Holy Orders By: John Banville, and more
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Reviews

“The eagerly awaited sequel to Christine Falls is brought to lief by none other than James Bond himself, Timothy Dalton, in a reading so good it will make listeners giddy with delight...It's all thrilling, honest, and raw.” —AudioFile

“...the second in [the] Quirke series, offers an excellent opportunity for Dalton to flash his acting chops. Dalton's reading is hushed, intense and dramatic, read as if being performed onstage.” —Publishers Weekly

“Dalton…gives a gritty, growling reading that will practically make you smell the rain on the dark Dublin streets.” —St.Petersburg Times

“Dalton's highly dramatic, fully differentiated performance keeps the plot moving swiftly and the net tightening as the novel builds to its surprising conclusion.” —KLIATT

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