This is Nadia. She is fiercely independent, with an excellent sense of humour and a love of smoking alone on her balcony late at night. This is Saeed. He is sweet and shy and kind to strangers. He also has a balcony but he uses his for stargazing. This is their story: a love story, but also a story about how we live now and how we might live tomorrow.

This unique collection of poems from the poet laureate, filled with her characteristic wit, is a feminist classic and a modern take on age-old mythology. Who? Him. The Husband. Hero. Hunk. The Boy Next Door. The Paramour. The Je t'adore. Behind every famous man is a great woman - and from the quick-tongued Mrs Darwin to the lascivious Frau Freud, from the adoring Queen Kong to the long-suffering wife of the devil himself, each one steps from her counterpart's shadow to tell her side of the story in this irresistible collection.

A collection of short stories, The Bloody Chamber and Other Stories was first published in 1979 and awarded the Cheltenham Festival Literary Prize. This Audible exclusive adaptation is narrated by legendary actors, Richard Armitage and Emilia Fox, who take on different chapters of the audiobook. Among these are 'The Bloody Chamber', 'The Courtship of Mr Lyon', 'The Tiger's Bride', 'Puss in Boots', 'The Erl-King', 'The Snow Child', 'The Lady of the House of Love', 'The Werewolf' and 'Wolf-Alice'.

Published in instalments in 1859, The Woman in White is often considered to be one of the very first detective novels. Although critics weren’t impressed at the time, the novel proved to be a hit with the public and has since gone on to become one of the timeless classics of the Victorian era. Following the adventures of Walter Hartright, this is a story of sleuthing, inheritance, ghosts and mistaken identity and was recently the subject of a hit TV adaptation by the BBC. 

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.