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The Big Nowhere

Lu par : Jason Culp
Durée : 16 h et 35 min
Prix : 29,36 €
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Description

Los Angeles, 1950. Red crosscurrents: the commie scare and a string of brutal mutilation killings. Gangland intrigue and Hollywood sleaze. Three cops caught in a hellish web of ambition, perversion, and deceit.

Danny Upshaw is a sheriff's deputy stuck with a bunch of snuffs nobody cares about; they're his chance to make his name as a cop...and to sate his darkest curiosities. Mal Considine is DA's bureau brass. He's climbing on the Red Scare bandwagon to advance his career and to gain custody of his adopted son, a child he saved from the horror of postwar Europe. Buzz Meeks - bagman, ex-narco goon, and pimp for Howard Hughes - is fighting communism for the money. All three men have purchased tickets to a nightmare.

©1988 James Ellroy (P)2015 Hachette Audio

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  • Global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • diggindiana
  • 11/07/2016

Best of the LA Quartet

This was the best of Elliot's LA Quartet IMO, superbly wrought and emotional in its tragic conclusion

4 sur 4 personne(s) ont trouvé cet avis utile.

  • Global
    4 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Darwin8u
  • 21/11/2015

ALL you want out of LA Noir.

“It all came down to money - the great equalizer and common denominator.”
― James Ellroy, The Big Nowhere

Probably 4.5 stars. I'm leaving room, saving stars, minding the gap, because I KNOW this isn't Elroy's best. Still, it is a novel that if written by any other living crime writer it might be considered their masterpiece and this is only 2nd shelf Ellroy. Chew on that. This is the 2nd book in Ellroy's LA Quartet Series (Starts with The Black Dahlia and includes this, L.A. Confidential, and White Jazz). It really has all you want out of LA Noir. Hollywood, homosexuals, drugs, jazz, sex, the Mob, crooked cops, etc. The plot is near perfect and the characters are BETTER than the plot, in my book.

James Ellroy does for crime thrillers what John le Carré does for spy thrillers. They both have made their own corner of genre fiction literary. Both will be read in 400 years as future academics and fans try to tease out how exactly how f'ed-up the 20th century really was.

18 sur 23 personne(s) ont trouvé cet avis utile.

  • Global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Lindsey
  • 02/05/2017

An underrated classic.

Just the right combination of booze, babes, and bullets to keep any hardcore detective fiction fan happy. Not for the faint of heart or for those easily offended by 1950's racism, sexism, or homophobia.

2 sur 2 personne(s) ont trouvé cet avis utile.

  • Global
    5 out of 5 stars
  • Performance
    4 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Thomas J. Quilitzsch
  • 09/03/2017

Red Chasing, Rogue Cops, Hollywood, and a Killer

Once it starts to click, it doesn't let up. My Favorite of the LA quartet.

2 sur 2 personne(s) ont trouvé cet avis utile.

  • Global
    4 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    4 out of 5 stars
  • Kelly
  • 10/01/2019

Dark and sleazy side of 1950 Los Angeles

Ellroy's second book in the L A quartet is dark, mean, ugly, sleazy, and gripping. It is hard to read because of its complete lack of political correctness. The attitudes toward the gay community, and people of color are hard to take. In 2019 it is shocking to read. However, it feels true to the time and the characters.

The crime is horrific. The city is presented at its worst. This is not the 1950s as presented by Ozzy & Harriet. This is not the "good old days" described by my elders. Ellroy's books are deeply cynical and a bit angry. I feel as though he has punched me in the gut after I finish his books. And, although I am in no way a cynical person, I am also not naive. I know that this side of the world exists and I find Ellroy's descriptions of the seedy side of the street gripping and thrilling. Unputdownable.

1 sur 1 personne(s) ont trouvé cet avis utile.

  • Global
    3 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    2 out of 5 stars
  • Sophia Pierro
  • 29/09/2015

The most preposterous story ever told

Unnecessarily gruesome. Lazy ending. At one point I laughed out loud at how completely ridiculous the story was. But - I couldn't stop listening.

4 sur 7 personne(s) ont trouvé cet avis utile.

  • Global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • michael buchanan
  • 12/03/2019

they don't write like this anymore

one of elloy,s best a definite classic a must read for any crime book lover

  • Global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Alexander
  • 08/02/2019

Ellroy’s Best? Could be!

I think it is. Some of the subject matter is pretty horrifying but Ellroy creates a sense of pathos and tragedy that i feel he has never equalled since. This is the first triple-protagonist Ellroy book and the most successful with possible exception of LAC.

Culp is fantastic. The old BOT version was pretty mediocre and Culp has given a great performance, possibly the best Ellroy narration other than Wasson’s Cold Six Thousand.

  • Global
    4 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    4 out of 5 stars
  • MGMojo
  • 10/09/2018

Crazy, demented and riveting

Ellroy's capacity to insert his readers into the fevered thoughts of The Obsessed should be regulated by the FDA! Do not operate heavy machine when using. In case of erections, seek immediate psychiatric assistance!

  • Global
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Histoire
    5 out of 5 stars
  • Tim Brink
  • 07/08/2018

great story!

Great story to listen to on headphones, would not recommend speakers at work, lol! great character builds, definitely worth listening to!!