The Persian Boy traces the last years of Alexander's life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland.
Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper. After Alexander's mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.
Mary Renault wrote eight historical novels set in ancient Greece. All eight are both brilliantly literary and deeply rooted in historical scholarship, and despite that are also just plain great reads. Of the eight, at least two are generally considered to be masterpieces: "The King Must Die," a realistic portrayal of archaic Greece and the legends of Theseus; and "The Persian Boy," the second book of her trilogy centering on the personality and achievements of Alexander the Great.
The complete Alexander trilogy is now available on Audible. "Fire from Heaven," covering Alexander's life from early childhood to the death of his father Philip of Macedon, is a third-person narrative, sometimes dense but completely alive. The final book, "Funeral Games," deals with the aftermath of Alexander's death and the partitioning of his empire. It is also a third-person narrative, and is weakened by a lack of focus--there are many players in these funeral games--and by being of necessity set in a time of great confusion.
Between these two lies "The Persian Boy," a first-person narrative by Bagoas, a young Persian of noble birth whose family is massacred in the wake of a palace coup. Bagoas, a child of transcendent beauty, is spared death but becomes a spoil of war, sold to a slave dealer who has him gelded. As a eunuch, the enslaved youth's beauty and nobility eventually bring him to the attention of the rich and powerful, and he is taken into the royal household as a body servant and "pleasure boy" to the Great King Darius, soon to go down in history for his defeat at the hands of the young Alexander of Macedon.
A Persian eunuch named Bagoas is in fact briefly mentioned in contemporary biographies of Alexander. From this minor mention Renault creates an enthralling narrator. Presented as a gift to the conqueror, Bagoas becomes Alexander's squire, interpreter, companion, lover, and advisor as the army traverses the Persian empire. There are battles throughout the book, but the emphasis is on Alexander the man, not the general. Bagoas loves and idolizes Alexander, blind to the hubris in the conqueror's character, a flaw that becomes more evident as the narrative progresses to its bitter conclusion (it is no spoiler, I think, to say that Alexander died young).
"The Persian Boy" is a remarkable vision of two cultures, each of which considers the other to be barbaric, and of an Alexander who transcends these prejudices. He wishes not so much to conquer as to meld, taking as his example Cyrus the Great, who merged the Persians and the Medes into the most powerful empire of its day.
I first read this book as a teenager, and have re-read it a number of times since. As I learned more ancient history, I appreciated "The Persian Boy" more and more. There are of course other and far less flattering interpretations of Alexander's character, but I confess Bagoas's viewpoint is the one that has stuck with me.
One final note, or perhaps warning. Although there is no explicit description of sexual acts in "The Persian Boy," Bagoas's gelded state and training in the arts of "the inner room" are intrinsic to the book. This is a culture (in fact two cultures) in which male bisexuality is regarded as normal, and that Bagoas and Hephaistion were Alexander's lovers is presented as simple and straightforward fact (Alexander also marries the daughter of Darius and the Bactrian princess Roxanne and fathers children on both of them). If this aspect of Hellenic culture makes you uncomfortable, I'd reluctantly recommend skipping this book. You might try "The King Must Die" instead, which I hope will come to Audible in the not-to-distant future (and is it too much to hope that Dan Stevens or Nicholas Boulton might agree to narrate it?)
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Flawless narration, superb narrative and exquisite attention to the craft of writing riveting historical fiction.
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Alexander was a historical phenomenon but the story bring some to life in a way in which you never thought of. How is interpersonal relationships affect his decisions and the history around them the story is wonderfully narrated can't recommend it highly enough
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Would you listen to The Persian Boy again? Why?
What does Roger May bring to the story that you wouldn’t experience if you just read the book?
He is an excellent reader
Who was the most memorable character of The Persian Boy and why?
Any additional comments?
Bagoas, the Persian boy, and point of view narrator of Alexander’s life in Persia, Egypt, the Middle East, and India, begin with a bang. The 10 year old boy, son of a minor Persian noble, is whiteness to his father’s betrayal then murder, his mother’s suicide, the loss of his sisters, followed by his enslavement by the killers leading to worse. He is bought by a jeweler as a servant for his wife. As time passes, when the jeweler falls on hard times his owner begins to pimp him out for extra income. The boy comes to the notice of a royal courtesan who buys him from the jeweler and trains him in the arts of pleasuring the new Master, Darius III, before he enters service. It is then that be begins to tell the tale of Alexander as he crosses to Asia and defeats his owner Darius in several battles. The plot then takes a few twists and turns until at 15 years old he enters service with Alexander the Great. Alexander will not have him as a bedmate or see him as property simply to use as he will. The boy, now man by the standards of the age, first serves as a valet and chamber man, then as an advisor on Persian custom and manors on his new subjects, and finally wins the place of loved one from Alexander. From that vantage point he offers a unique fictional prospective to tell the story of Alexander from his conquests of lands including western India, his marriages, and his hopes and dreams of fusing Greek culture unto a Persian Empire he is to govern, and betrayal assassination plots and the death of the man nearest to his heart. All this is told through the eyes of faithful Bagoas up through Alexander’s death in Babylon at age 33. What happens next falls to the last book in the trilogy Funereal Games.
As a modern people there are aspects of this book that are disturbing. One must suspend our modern moral disgust and remember that this is an age where slaves had no rights, might made right, a male achieved manhood at and 15 or 16 unless he killed a man in battler at an earlier age. All life’s stages are accelerated as life expectancy was around 40, if you were lucky. At this stage there were no Christian values as Christ will not be born for another 300 plus years. The Jews were grateful to Alexander as he allowed free worship at the Temple. This book is set in a brawling polytheistic world of tribal loyalties, blood feuds, forbidden loves, where our norms simply do not apply.
For action and excitement with a slab dash of history this book is great. There is enough heroic action and daring do for any reader. There is also enough vision of uniting disparate peoples into a harmonious empire under Alexander’s fair and just kingship to make it inspiring.
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Every chance I got to listen to this book was an absolute treat. Not just as an escape, but because I could see myself in Bagoas, which is hard for a young gay man. It's rare one finds fiction with a gay protagonist/narrator that is truly well-written, and what's more, it has much to teach about history as well. It beautifully illustrates the presence of pre-modern same-sex love in one of history's most revered figures, as well as it's tolerance among Greek, Persian and Indian societies (all before the influence of Abrahamic religions). It's not treated as a focal point per say, but rather as a (well-researched) fact of life for our main characters. It's so rare to find that the novel almost felt like fantasy. Which I love. I only wish there was more.
A true love story! Full of vibrant description of every moment...seen through the eyes of a boy.
stole my heart!
The lost tale of Bogoas, beloved of Alexander. Even knowing how the story ends I found myself weeping. For though I had heard the tales in history class of the greatness of Alexander I had no true understanding at the cost to him. Mary Renault manages to take us back to those golden days and breathes life, wonder and beauty into what was dry and lifeless to me before.
I had no idea that Alexander had among him a much beloved companion and lover named Bogoas and now having heard this story long only to know the truth of what became of him once his beloved master left this world to join Hephaestion in the next world.
I don't suppose any of us will ever know such is the way of history but in this beautiful telling it lives and breaths and beckons us to walk among freely among the inner circles of legendary men and brings them to life for us to enjoy.
Mary Renault does not pull any punches with this wonderful tale of a Persian boy named Bagoas who lives a hard life as a slaved, bidden to to comply with the wishes of his master. Life is hard, but his spirit becomes enriched by two enemies...King Darius and Alexander the Great!