Flavia de Luce Mysteries

It is June 1950 and a sleepy English village is about to be awakened by the discovery of a dead body in Colonel de Luce's cucumber patch. The police are baffled, and when a dead snipe is deposited on the Colonel's doorstep with a rare stamp impaled on its beak, they are baffled even more. Only the Colonel's daughter, the precocious Flavia, has the ingenuity to follow the clues that reveal the victim's identity.

In his wickedly brilliant first novel, Debut Dagger Award winner Alan Bradley introduces one of the most singular and engaging heroines in recent fiction: Eleven-year-old Flavia de Luce, an aspiring chemist with a passion for poison. It is the summer of 1950 - and a series of inexplicable events has struck Buckshaw, the decaying English mansion that Flavia’s family calls home. A dead bird is found on the doorstep, a postage stamp bizarrely pinned to its beak. Hours later, Flavia finds a man lying in the cucumber patch and watches him as he takes his dying breath.

When a mysterious puppet show arrives in Bishop's Lacey, death is not far behind... a grisly murder during a performance of Jack and the Beanstalk in the village hall reaches back to an earlier crime that has cast a shadow over the village for years. Flavia's investigations test her powers of deduction to the limit - and provide a shocking insight into the darker corners of the adult world.

Flavia de Luce is a dangerously brilliant 11-year-old with a passion for chemistry and a genius for solving murders. This time, Flavia finds herself untangling two deaths—separated by time but linked by the unlikeliest of threads.

“You frighten me,” the Gypsy said. “Never have I seen my crystal ball so filled with darkness.” For Flavia de Luce, the old gypsy's words open up old wounds and new possibilities. Is she a faker, or is there some truth to her powers? And when the village is rocked by another ghastly murder, how will a growing fascination with gypsy lore help Flavia to solve it?

Award-winning author Alan Bradley returns with another beguiling novel starring the insidiously clever and unflappable 11-year-old sleuth Flavia de Luce. The precocious chemist with a passion for poisons uncovers a fresh slew of misdeeds in the hamlet of Bishop’s Lacey - mysteries involving a missing tot, a fortune-teller, and a corpse in Flavia’s own backyard. Flavia had asked the old Gypsy woman to tell her fortune, but never expected to stumble across the poor soul, bludgeoned in the wee hours in her own caravan.

With the family finances in a parlous state, Flavia's father has rented Buckshaw to a film company for a location shooting. When a heavy snowfall cuts the village off, the actors are talked into staging a benefit performance in the parish hall. But old jealousies surface, and the leading lady is murdered. Flavia, who has been enlisted to help out behind the scenes, finds herself up to her knees in snow - and murder!

It’s Christmastime, and the precocious Flavia de Luce—an eleven-year-old sleuth with a passion for chemistry and a penchant for crime-solving—is tucked away in her laboratory, whipping up a concoction to ensnare Saint Nick. But she is soon distracted when a film crew arrives at Buckshaw, the de Luces’ decaying English estate, to shoot a movie starring the famed Phyllis Wyvern.

The villagers of Bishop’s Lacey are holding their collective breath as St Tancred’s tomb in the local church is about to be opened after five hundred years. Inveterate eleven-year-old sleuth Flavia de Luce is first at the scene, but the body she finds lying there is not that of a desiccated saint; it is Mr Collicutt, St Tancred's celebrated organist.

Eleven-year-old amateur detective and ardent chemist Flavia de Luce is used to digging up clues, whether they’re found among the potions in her laboratory or between the pages of her insufferable sisters’ diaries. What she is not accustomed to is digging up bodies. Upon the five-hundredth anniversary of St. Tancred’s death, the English hamlet of Bishop’s Lacey is busily preparing to open its patron saint’s tomb.

On a spring morning in 1951, 11-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces’ crumbling estate, Flavia puts her sleuthing skills to the test.

The absence of Flavia DeLuce’s mother, Harriet, has always cast a shadow, since her presumed death in a mountaineering accident in Tibet. Now, astonishingly, a specially commissioned train is bringing Harriet back to Buckshaw. But rather than putting the past finally to rest, Harriet's return is set to trigger a further series of bizarre and deadly events, as a most curious group of individuals converge on Buckshaw to pay their respects…

When Flavia de Luce is banished to Miss Bodycote's Female Academy in Canada, she’s soon on familiar ground when, on her first night, a mummified body is dislodged from a chimney, and she is presented with a gruesome puzzle to solve. Girls have been disappearing with alarming regularity, leading Flavia to wonder not only how and why but what exactly is the academy's true purpose? Flavia must enter a shadowy world where truth and lies seem interchangeable and no one can be trusted.

Flavia de Luce - "part Harriet the Spy, part Violet Baudelaire from Lemony Snicket's A Series of Unfortunate Events" ( The New York Times Book Review) - takes her remarkable sleuthing prowess to the unexpectedly unsavory world of Canadian boarding schools in the captivating new mystery from New York Times best-selling author Alan Bradley.

In spite of being ejected from Miss Bodycote's Female Academy in Canada, 12-year-old Flavia de Luce is excited to be sailing home to England. But instead of a joyous homecoming, she is greeted on the docks with unfortunate news: Her father has fallen ill, and a hospital visit will have to wait while he rests. But with Flavia's blasted sisters and insufferable cousin underfoot, Buckshaw now seems both too empty - and not empty enough.

Twelve-year-old Flavia de Luce is back at Buckshaw at last, but her homecoming is overshadowed by news of her father's illness. Forbidden from visiting him in hospital, Flavia busies herself in the village, but she soon makes a macabre discovery: the corpse of a reclusive woodcarver in an empty house, except for a curiously uncurious cat. Curiosity may not kill this cat, but Flavia is energized at the prospect of a new investigation. However, what awaits Flavia will shake her to the core.

In the wake of an unthinkable family tragedy, 12-year-old Flavia de Luce is struggling to fill her empty days. For a needed escape, Dogger, the loyal family servant, suggests a boating trip for Flavia and her two older sisters. Something grazes her fingers as she dangles them in the water. She clamps down on the object, imagining herself Ernest Hemingway battling a marlin, and pulls up what she expects will be a giant fish. But in Flavia's grip is something far better: a human head, attached to a human body.

Flavia de Luce, the 12-year-old chemist and amateur detective, is eager to turn professional. She and her father's valet, Dogger, have founded a detective agency, Arthur Dogger & Associates, and unexpectedly cut into their first case during the revelry at her sister's wedding reception. After an eventful ceremony with a missing best man and spontaneous ventriloquist act, spirits are high as Feely and her new husband head for the towering and beautifully iced wedding cake. But as Feely slices into the first piece, a scream rings out - the bridal cake contains a severed human finger. 

Although it is autumn in the small English town of Bishop’s Lacey, the chapel is decked with exotic flowers. Yes, Flavia de Luce’s sister, Ophelia, is at last getting hitched, like a mule to a wagon. “A church is a wonderful place for a wedding”, muses Flavia, “surrounded as it is by the legions of the dead, whose listening bones bear silent witness to every promise made at the altar.”