Résultats lu par "Lucy Paterson" dans Toutes les catégories

Ashes and Stones is a moving and personal journey, along rugged coasts and through remote villages and modern cities, in search of the traces of those accused of witchcraft in seventeenth-century Scotland. We visit modern memorials, roadside shrines and standing stones, and roam among forests and hedge mazes, folk lore and political fantasies. From fairy hills to forgotten caves, we explore a spellbound landscape.

In Wild, Amy Jeffs journeys—on foot and through medieval texts—from landscapes of desolation to hope, offering the listener an insight into a world at once distant and profoundly close to home. The seven chapters, entitled Earth, Ocean, Forest, Beast, Fen, Catastrophe, Paradise, open with fiction and close with reflection. They blend reflections of travels through fen, forest and cave, with retelling of medieval texts that offer rich depictions of the natural world.

Esther is out with her two friends, bemoaning her lack of relationship, when she finds a magazine from the noughties. Seeking comfort – and a laugh – she turns to the dating advice only to find an article that feels a little too close to home. According to the journalist, there are seven people a woman will date before finding the one: The First Love, The Work Mistake, The Friend with Benefits, The Overlap, The Missed Chance, The Bastard and The Serious One. Her friends laugh but Esther realises each of her exes fits these roles perfectly.

"I don’t exactly know how to tell you this, but you're not the only one who is single again." Single together for the first time, 34-year-old Meg and her warm-hearted mother Sally decide to cancel Christmas, and run away to a tiny cottage on the Cornish coast. For Meg, it is the perfect place to heal, while for her mother it has a special, and secret, place in her heart. Meg and Sally find that they’re not only getting to know themselves, but also each other. However, unable to resist getting involved in the village Christmas celebrations.

For years, Aidan Cullen has dreamed of becoming a successful crime writer. When his hard work finally pays off and his first book is published, what should have been a night of celebration unravels into an evening of horror. Left for dead after a brutal attack, trauma leaves him paranoid and reclusive, and he retreats to the remote countryside with only his dog Nanook for company. With the world kept at arm’s length, he begins to feel safe. That is, until a woman is murdered at the end of his road.

I haven’t lived here long. The house is small and a little run-down, but each piece of faded floral wallpaper I peel away feels like unwrapping the second chance I never thought I’d get. I’m finally free to wear what I want, and I don’t flinch when I accidently burn dinner. My new home is warm, and the kids are safe inside. Anywhere would feel idyllic after the nightmare marriage I’ve just escaped.

Phoebe, an eight-year-old girl, lies comatose following a car accident—a body without a spirit. Ceres, her mother, can only sit by her bedside and read aloud the fairy stories Phoebe loves in the hope they might summon her back to this world. But an old house on the hospital grounds, a property connected to a book written by a vanished author, is calling to Ceres. Something wants her to enter, to journey to a land colored by the memories of childhood, and the folklore beloved of her father—a land of witches and dryads, giants and mandrakes; a land where old enemies are watching and waiting…

Esther is nearing thirty, with a great job and a flat she shares with her two best friends, Bibi and Louise. But her life is missing that special someone. Tired of being single and sick of bad date after bad date, she thinks she’s found the answer to her romance problem in an old women's magazine. According to the magazine’s dating column, there are seven archetypes a woman will date before finding Mr. Right.

In today's connection economy, the most successful leaders inspire their people with purpose and meaning. Powerful corporate storytelling can mobilise people around an organisational objective in a way that a focus on market share never will. Be it a digital transformation or a diversity and inclusion initiative, corporate change needs the support of the people in that organisation in order to stick. Yet, while all stories can move people to take action, storytelling isn't a one size fits all.